Summer recitals throughout Europe

Thomas Hampson and pianist Wolfram Rieger are featured in recital at two of Europe’s premiere venues this season. On June 12 the duo performs works by Schubert and Wolf at Vienna’s Musikverein; tickets and additional programme information is available at the link.

New recording of Elgar’s “The Dream of Gerontius”

Thomas Hampson’s latest recording, Elgar’s The Dream of Gerontius will be released July 7 by Decca Classics.  Recorded under the baton of Daniel Barenboim with the Staatskapelle Berlin and the Rias Kammerchor, Hampson sings both the role of the Priest and Angel of the Agony. Tenor Andrew Staples joins, singing the role of Gerontius, with mezzo-soprano Catherine Wyn-Rogers as the Angel. Hailed as Elgar’s finest choral composition, The Dream of Gerontius explores a soul’s journey from near-death to the throne of judgement. Performed in concert at the Berlin Musikfest last year, Hampson was hailed as “rock solid” by the Financial Times, and as “filling the room with an angelic aura” by Kultur Radio.

Pre-order your copy here:

Concert with The Czech Chamber Philharmonic Orchestra Pardubice in Prague

Between performances in the title role of Don Giovanni at Teatro alla Scala, Thomas Hampson travels to Prague to sing works by Mahler, Dvořák and more on May 25 with The Czech Chamber Philharmonic Orchestra Pardubice. Marek Štilec conducts the concert, which also includes selections by Bach, Schubert, and Bodorová. Tickets and additional information are available via TicketPortal.


Esplora il significato del termine: Don Giovanni è mio «suocero» Alla Scala la sfida dei baritoni

Che tra i due ci fosse un legame speciale, con molti segreti e bugie, è risaputo. Ma che Leporello fosse il genero di Don Giovanni è un colpo di teatro da far vacillare persino due impudenti quali Mozart e Da Ponte. La sorprendente agnizione si manifesterà sabato sera alla Scala, quando nei due ruoli maschili chiave del titolo mozartiano, che torna con la direzione di Paavo Järvi e nell’edizione ideata da Robert Carsen per il 7 dicembre 2011, troveremo Thomas Hampson e Luca Pisaroni, baritoni di salda fama internazionale, nella vita uniti da Catherine, la bionda figlia di Thomas, che Luca conobbe nel 2003 a Salisburgo.

Thomas Hampson answers the Gramilano Questionnaire… Singers’ Edition

When did you start singing?
In the crib. Apparently, I was a very vocal baby 😉 … no seriously, I already sang as a child.

Why did you start singing?
I loved tunes and music always made sense to me.

“Il sorriso di Don Giovanni” (L’Ape musicale)

Grande fermento a Milano per il Don Giovanni di Mozart, nella ripresa dell’allestimento di Robert Carsen che aprì la stagione scaligera 2010/2011. A pochi giorni dalla prima del 6 maggio, incontriamo il protagonista Thomas Hampson, artista di fama internazionale, che a coronamento di una lunga e duratura carriera, è al suo debutto operistico alla Scala. Il baritono statunitense ci parla del suo Don Giovanni, di come si diventa un cantante d’opera cosmopolita e del ruolo della musica e dell’arte in questo momento così difficile della storia contemporanea.

“Gegen Jetlag hilft viel Wasser trinken”

Heidelberg. In der Ausgabe vom 27. März forderten wir die Leser auf, auch Fragen an den Bariton und Künstlerischen Leiter der Lied Akademie, Thomas Hampson, zu richten. Aufgrund der vielen Verpflichtungen des Sängers, kam er erst jetzt dazu, sie zu beantworten. Weitergereicht hat sie unser Redakteur Matthias Roth, der auch die Auswahl der Fragen vornahm.

“Thomas Hampson dominates La Scala’s stage with his supreme artistry” (Gramilano)

Thomas Hampson returned last night to La Scala, where he has been a regular presence in recital for almost three decades. Extraordinarily, he has never sung an opera in Milan, but next month he will finally make his operatic debut as Don Giovanni. Last night, however, a full theatre was eager to hear him once again in a repertoire that he owns: German song.

Heidelberger Frühling mit Thomas Hampson

Sarah Willis begegnet dem amerikanischen Opernsänger Thomas Hampson in Heidelberg. Der Bariton ist künstlerische Leiter der Lied Akademie und tritt mit seinen Stipendiaten beim Festival Heidelberger Frühling auf: Sarah’s Music

“Wir müssen uns austauschen”

Thomas Hampson hatte nur vier Stunden Schlaf. Aber er will nicht klagen, würde es wahrscheinlich sogar vermissen, wäre sein Terminkalender nicht mehr derart prall gefüllt. In Heidelberg leitet der Bariton die Liedakademie des “Frühlings”. Aber zwischendurch musste er kurz nach Wien und mit dem Sänger Luca Pisaroni (der sein Schwiegersohn ist) ein Konzert geben. Tenöre waren auf der Bühne nicht erlaubt – das ist schon mal ein Unterschied zur Heidelberger Liedakademie.

Spring appearances at Milan’s Teatro alla Scala – Recital & Don Giovanni

This season, audiences in Milan have the opportunity to see Thomas Hampson in performance several times on stage at the historic Teatro alla Scala. On April 13 he and pianist Wolfram Rieger present Schumann’s 20 Lieder und Gesänge op. 29 and songs by Mahler for an extraordinary programme at La Scala. To purchase tickets & read additional information about this event, visit the following link.

“No Tenors Allowed” at the Wiener Konzerthaus

On April 3, Thomas Hampson and bass-baritone Luca Pisaroni bring their famed “No Tenors Allowed” concert to the Wiener Konzerthaus. The event is featured as part of the “Great Voices” series, hosted in the Great Hall. Mr. Hampson and Mr. Pisaroni are joined by conductor Pavel Baleff and the Max Steiner Orchestra for the programme, which includes selections by Mozart, Verdi, and more. Please note an extremely limited number of tickets remain; visit for current availability.

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