Press

Der Ton macht das Gefühl


Der SZ Kultursalon hat sich diesmal den leiseren Seiten gewidmet: der Kunst des Liedes und der Frage nach den wahren und den falschen Göttern des Klassikbetriebes. Der Bariton Thomas Hampson hat sie in der Glyptothek beantwortet.

A Still-Dangerous Don


Years ago — maybe a dozen? — Thomas Hampson told me, “I was a young Giovanni, I’m a middle-aged Giovanni, and I’m going to be an old Giovanni.” He was talking about the famous, and infamous, title character of Mozart’s opera Don Giovanni. Hampson is a famous — not infamous — baritone from Spokane, Wash.

Esplora il significato del termine: Don Giovanni è mio «suocero» Alla Scala la sfida dei baritoni


Che tra i due ci fosse un legame speciale, con molti segreti e bugie, è risaputo. Ma che Leporello fosse il genero di Don Giovanni è un colpo di teatro da far vacillare persino due impudenti quali Mozart e Da Ponte. La sorprendente agnizione si manifesterà sabato sera alla Scala, quando nei due ruoli maschili chiave del titolo mozartiano, che torna con la direzione di Paavo Järvi e nell’edizione ideata da Robert Carsen per il 7 dicembre 2011, troveremo Thomas Hampson e Luca Pisaroni, baritoni di salda fama internazionale, nella vita uniti da Catherine, la bionda figlia di Thomas, che Luca conobbe nel 2003 a Salisburgo.

Thomas Hampson answers the Gramilano Questionnaire… Singers’ Edition


When did you start singing?
In the crib. Apparently, I was a very vocal baby 😉 … no seriously, I already sang as a child.

Why did you start singing?
I loved tunes and music always made sense to me.

“Il sorriso di Don Giovanni” (L’Ape musicale)


Grande fermento a Milano per il Don Giovanni di Mozart, nella ripresa dell’allestimento di Robert Carsen che aprì la stagione scaligera 2010/2011. A pochi giorni dalla prima del 6 maggio, incontriamo il protagonista Thomas Hampson, artista di fama internazionale, che a coronamento di una lunga e duratura carriera, è al suo debutto operistico alla Scala. Il baritono statunitense ci parla del suo Don Giovanni, di come si diventa un cantante d’opera cosmopolita e del ruolo della musica e dell’arte in questo momento così difficile della storia contemporanea.

“Gegen Jetlag hilft viel Wasser trinken”


RNZ.de

Heidelberg. In der Ausgabe vom 27. März forderten wir die Leser auf, auch Fragen an den Bariton und Künstlerischen Leiter der Lied Akademie, Thomas Hampson, zu richten. Aufgrund der vielen Verpflichtungen des Sängers, kam er erst jetzt dazu, sie zu beantworten. Weitergereicht hat sie unser Redakteur Matthias Roth, der auch die Auswahl der Fragen vornahm.

“Thomas Hampson dominates La Scala’s stage with his supreme artistry” (Gramilano)


Thomas Hampson returned last night to La Scala, where he has been a regular presence in recital for almost three decades. Extraordinarily, he has never sung an opera in Milan, but next month he will finally make his operatic debut as Don Giovanni. Last night, however, a full theatre was eager to hear him once again in a repertoire that he owns: German song.

Heidelberger Frühling mit Thomas Hampson


Sarah Willis begegnet dem amerikanischen Opernsänger Thomas Hampson in Heidelberg. Der Bariton ist künstlerische Leiter der Lied Akademie und tritt mit seinen Stipendiaten beim Festival Heidelberger Frühling auf: Sarah’s Music

“Wir müssen uns austauschen”


Thomas Hampson hatte nur vier Stunden Schlaf. Aber er will nicht klagen, würde es wahrscheinlich sogar vermissen, wäre sein Terminkalender nicht mehr derart prall gefüllt. In Heidelberg leitet der Bariton die Liedakademie des “Frühlings”. Aber zwischendurch musste er kurz nach Wien und mit dem Sänger Luca Pisaroni (der sein Schwiegersohn ist) ein Konzert geben. Tenöre waren auf der Bühne nicht erlaubt – das ist schon mal ein Unterschied zur Heidelberger Liedakademie.

La Traviata: Verdi’s Timeless Fallen Woman (He Sang/She Sang podcast)


WQXR

On this week’s episode of He Sang/She Sang, hosts Merrin Lazyan and Julian Fleisher are joined by dramaturg Cori Ellison to discuss Verdi’s mythical and timeless masterpiece, La Traviata. We also speak with baritone Thomas Hampson, who has been singing the role of Germont for 25 years. Hampson tells us how the complex and beautiful dilemmas that we find in this opera help us to better understand who we really are.

‘Opera is about dilemma, not about plot’ – Thomas Hampson


BBC

Picks from across the week on In Tune with Sean Rafferty: opera singers Thomas Hampson, Michael Fabiano and Tara Erraught …

Thomas Hampson Returns to Manhattan School of Music For Annual Masterclass


Opera Wire

Back in 2007, baritone Thomas Hampson gave a Distance Learning Voice Master Class at the Manhattan School of Music. In commemoration of the 10th anniversary of that event, the American singer and the renowned conservatory are rejoining forces for the same program.

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