Thomas Hampson joins the Turku Philharmonic Orchestra, conducted by Klaus Mäkelä, for the opening concert of the Turku Musical Festival on August 8, at the Turku Concert Hall. Hampson will perform selections from Mahler’s Des Knaben Wunderhorn. Completing the program is Wagner’s Overture to Die Meistersinger von Nürnberg, Strauss’ epic tone poem Also sprach Zarathustra, as well as Saariaho’s Asteroid 4179: Toutatis, which is inspired by an asteroid named after a Celtic god worshipped in ancient Gaul and Britain. Saariaho notes:
“I first became interested in Toutatis when reading that it is the asteroid whose orbit passes closest to Earth. When reading more and then seeing pictures of it, I started to find its unusual shape and complex rotation interesting — different areas of it rotate at different speeds. One consequence of this is that Toutatis does not have a fixed north pole like the Earth; instead, it’s north pole wanders along a curved path roughly every 5.4 days. The stars viewed from Toutatis wouldn’t repeatedly follow circular paths but would crisscross the sky, never following the same path twice. So Toutatis doesn’t have anything you could call a ‘day.’ Its rotation is the result of two different types of motion with periods of 5.4 and 7.3 Earth days that combine in such a way that Toutatis’ orientation with respect to the solar system never repeats. All these peculiarities, and the fact that Toutatis already has had many collisions with other heavenly objects inspired me to write this small work…”
Thomas Hampson returns to Teatro alla Scala for his greatly anticipated role debut as Altair in Strauss’ ravishing Die ägyptische Helena. Strauss and Hofmannsthal’s re-imagination of the Helen of Troy myth will feature a new production by Sven-Eric Bechtolf, with set design by Julian Crouch and costume design by Mark Bouman. This production marks the first time Die ägyptische Helena will be staged at La Scala.
This week, Thomas Hampson joins the Orchester Wiener Akademie to sing orchestral versions of selected Schubert songs arranged by Franz Liszt, Jacques Offenbach, Johannes Brahms, and Anton von Webern. Under the baton of Martin Haselböck, performances take place on October 9 at the Brucknerhaus Linz, part of the Brucknerfest, and on October 13 at the Musikverein, marking the ensemble’s first concert of the season at the Musikverein.
The award, including an endowment of €10,000, honours personalities committed to teaching classical music.
Thomas Hampson will be awarded the 2020 Heidelberger Frühling Music Award. The award, which includes an endowment of €10,000 and will be presented at the eponymous music festival, honours the American baritone star’s decades of commitment to the ‘Kunstlied’ (art song).
Performing together since 2010, Thomas Hampson and Luca Pisaroni bring their “No Tenors Allowed” concert to Brigham Young University and to Buenos Aires’ Teatro Colón this fall. On October 1, Hampson and Pisaroni share the stage at the de Jong Concert Hall, performing selections from opera, including Donizettti’s Don Pasquale and Mozart’s Don Giovanni, along with Broadway show tunes and popular songs, with pianist Kevin Murphy.
From September 23 – 28, Thomas Hampson and Melanie Diener, worldwide acclaimed soprano from Waiblingen, teach – for the first time in 2019 – an opera workshop to the next generation of outstanding singers at the Bürgerzentrum Waiblingen. The first International Waiblingen Opera Workshop has chosen 13 singers from eight countries, including Germany, Spain, USA, Israel, Russia, Serbia, Korea, and China.
On September 13 & 17, Thomas Hampson performs at the first-ever Tsinandali Festival in Georgia. For the first concert, the extraordinary virtuoso pianist, Jan Lisiecki, joins Mr. Hampson for a recital including the Heine songs from Schubert’s Schwanengesang, and Schumann’s Dichterliebe. Schumann composed his Dichterliebe during a creative surge in 1840, also known as his “year of song,” where he produced more than 130 Lieder.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.