Presented by the Celebrity Series of Boston, Thomas Hampson and Luca Pisaroni will perform their “No Tenors Allowed” concert on February 1 at New England Conservatory’s Jordan Hall. Prior to this engagement, Mr. Hampson will work with voice students from Manhattan School of Music in a masterclass on January 30.
Mr. Hampson recently worked with students from the Festival Akademie of the Heidelberger Frühling, part of his Schubert Week held at the Pierre Boulez Saal earlier this month. He returns to the Manhattan School of Music for a public masterclass that will be streamed live from Miller Recital Hall on January 30 at 4 pm EST. More information and the livestream is available via the Manhattan School of Music’s website.
Following, Thomas Hampson and Luca Pisaroni perform their “No Tenors Allowed” concert at NEC’s Jordan Hall on February 1. Pianist Kevin Murphy will join the duo onstage in a program including operatic and Broadway favorites by Mozart, Bellini, Cole Porter, and more. Learn more at: Notenorsallowed.com
“Laugh and cry with Pisaroni and Hampson … Hampson and his stage skills, Pisaroni with his playful, boyish irony. With this strong program the two vocal top guns proved once again that opera is about life, about laughing and crying, about power and love.” (Place de l’Opera)
This month marks the world premiere of composer Tarik O’Regan’s The Phoenix, starring Thomas Hampson in his greatly anticipated debut and Luca Pisaroni at the Houston Grand Opera. This will be Hampson’s second world premiere of the 2018-19 season, previously starring in the title role of Rufus Wainwright’s Hadrian at the Canadian Opera Company. Hampson and Pisaroni play the different ages of Lorenzo Da Ponte as a group of singing actors come together to create a stage adaptation about the colorful life of the scandalous librettist that created the stories of Don Giovanni, Così fan tutte, and The Marriage of Figaro.
From September 23 – 28, Thomas Hampson and Melanie Diener, worldwide acclaimed soprano from Waiblingen, teach – for the first time in 2019 – an opera workshop at the Bürgerzentrum Waiblingen to outstanding singers of the new generation.
After his curated Schubert Week at Berlin’s Pierre Boulez Saal this past January, Thomas Hampson returns to the Kongresshaus Stadthalle Heidelberg to lead the Heidelberg Lied Academy from March 21-24. As artistic director, Hampson and fellow renowned mentors and pianists, Hartmut Höll and Ammiel Bushakevitz, will work with the Lied Academy Scholars in public and private masterclasses, with the scholars performing a final concert on March 24.
Thomas Hampson sings with the Reno Philharmonic Orchestra on March 9 & 10, part of the Classix Series: Trailblazers, bringing a concert full of stories about trail blazers that have shaped history and our world. At the Pioneer Center for the Performing Arts, Mr. Hampson joins the orchestra for Michael Daugherty’s song cycle Letters from Lincoln. Hampson debuted the work in 2009 with the Spokane Symphony, which was recorded and released by Koch Records. Purchase links and more information is available via Hampson’s Recordings.
On March 6, Thomas Hampson returns to Tokyo for a special concert with superstar soprano Angela Gheorghiu and the Tokyo Philharmonic Orchestra at Suntory Hall. Under the baton of Eugene Kohn, Ms. Gheorghiu and Mr. Hampson perform beloved operatic arias and duets by Bizet, Verdi, Lehár, and more. Hampson and Ms. Gheorghiu have previously collaborated on a number of critically acclaimed records including Verdi’s Il trovatore, Bizet’s Carmen, and Massenet’s Werther. More information is available via Hampson’s Recordings.
Thomas Hampson performs his “Song of Liberty: Beyond America” project in his hometown of Spokane, on March 1 with pianist Lara Downes and an ensemble of musicians from the Spokane Symphony. Marking the west coast premiere of his new project, Hampson performs an all-American program that explores the influential people, poetry and events that helped create and define our nation. At the Martin Woldson Theater, using song, personal anecdotes and historical monologues, Hampson will take the audience on a journey through American history as seen through the eyes of poets and the ears of composers.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.