“There is no finer advocate nor any living artist more committed to the cause of American song than the celebrated baritone from Elkhart, Indiana… Hampson brought tender sincerity and a striking freedom of phrasing and rubato to “Simple Gifts.” While he now has to artfully negotiate the high notes in “The Boatman’s Dance,” his hearty swagger was delightful, complete with drawled Yankee R’s. The singer’s storytelling qualities were manifest in a characterful take on “The Golden Willow Tree,” rendered with impressive agility”
“The eminent baritone Thomas Hampson was the featured soloist in the evening’s all-American opening, a superb choice considering that few singers have done more to champion art songs of this country. Better still, Hampson famously delivers this material with the polished tones one expects of European lieder but also with a distinctly American rhythmic lilt and cadence.
He proved the point in a suite of three of Aaron Copland’s “Old American Songs,” traditional tunes set to Copland’s original accompaniment. “Simple Gifts” stands as the most famous of these, thanks to its prominent appearance in Copland’s “Appalachian Spring” ballet score, but Hampson shed light on this familiar music. The sheer tenderness of his long-held notes, the crisp articulation of his every syllable and his subtly changing tonal shades brought new meanings to a universally known song.”
Expanding on the Schubert Weekend that took place in January 2018, Thomas Hampson returns to the Pierre Boulez Saal for Schubert Week, curated completely by Hampson himself. Kicking off the week will be an all-Schubert recital with Hampson and his longtime collaborator Wolfram Rieger, followed by workshops and a final concert presented to the public with singers from the Festival Akademie of the Heidelberger Frühling.
Thomas Hampson kicks off the new year returning to Illinois to perform a series of concerts with the Chicago Symphony Orchestra and teach a masterclass at Northwestern’s Bienen School of Music. These engagements mark Mr. Hampson’s return to Chicago since the release of his debut album with Cedille Records, “Songs from Chicago”, an album featuring songs by early mid-twentieth-century composers from Chicago.
Thomas Hampson travels to the Middle East for concerts with the Israel Philharmonic Orchestra. Under the baton of Vasily Petrenko, he will join the ensemble for nine concerts and perform a recital with Polish pianist Maciej Pikulski.
The Bernstein Centennial Celebration at Tanglewood spotlighted Leonard Bernstein’s wide-ranging talents as a composer, his many gifts as a great interpreter and champion of other composers, and his role as inspiration for a new generation of musicians and music lovers across the country and around the globe. This gala concert featured a kaleidoscopic array of artists and ensembles from the worlds of classical music, film, and Broadway, like Mr. Hampson, Audra McDonald, Midori, Yo-Yo Ma, Nadine Sierra, Susan Graham and Isabel Leonard among others.
On November 18 & 19, Hampson and the ensemble will perform Britten’s War Requiem at the Musikverein Wien. This harrowing work interweaves Latin mass text and text by Wilfred Owen accompanied by the Wiener Sängerknaben and Singverein der Gesellschaft der Musikfreunde in Wien. Hampson shares the stage with star soprano Adrianne Pieczonka, and tenor Werner Güra.
More information and tickets are available via the Calendar page.
Thomas Hampson makes his highly anticipated debut with the Canadian Opera Company in the world premiere of Rufus Wainwright’s Hadrian. Hampson sings the title role in this epic love story, based on the life of the Roman emperor Hadrian, with libretto by Daniel MacIvor. Led by Johannes Debus, the monumental production by Peter Hinton will open the COC’s 68th season beginning October 13 through October 27.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.