“There is no finer advocate nor any living artist more committed to the cause of American song than the celebrated baritone from Elkhart, Indiana… Hampson brought tender sincerity and a striking freedom of phrasing and rubato to “Simple Gifts.” While he now has to artfully negotiate the high notes in “The Boatman’s Dance,” his hearty swagger was delightful, complete with drawled Yankee R’s. The singer’s storytelling qualities were manifest in a characterful take on “The Golden Willow Tree,” rendered with impressive agility”
“The eminent baritone Thomas Hampson was the featured soloist in the evening’s all-American opening, a superb choice considering that few singers have done more to champion art songs of this country. Better still, Hampson famously delivers this material with the polished tones one expects of European lieder but also with a distinctly American rhythmic lilt and cadence.
He proved the point in a suite of three of Aaron Copland’s “Old American Songs,” traditional tunes set to Copland’s original accompaniment. “Simple Gifts” stands as the most famous of these, thanks to its prominent appearance in Copland’s “Appalachian Spring” ballet score, but Hampson shed light on this familiar music. The sheer tenderness of his long-held notes, the crisp articulation of his every syllable and his subtly changing tonal shades brought new meanings to a universally known song.”
From September 23 – 28, Thomas Hampson and Melanie Diener, worldwide acclaimed soprano from Waiblingen, teach – for the first time in 2019 – an opera workshop at the Bürgerzentrum Waiblingen to outstanding singers of the new generation.
After his curated Schubert Week at Berlin’s Pierre Boulez Saal this past January, Thomas Hampson returns to the Kongresshaus Stadthalle Heidelberg to lead the Heidelberg Lied Academy from March 21-24. As artistic director, Hampson and fellow renowned mentors and pianists, Hartmut Höll and Ammiel Bushakevitz, will work with the Lied Academy Scholars in public and private masterclasses, with the scholars performing a final concert on March 24.
Thomas Hampson sings with the Reno Philharmonic Orchestra on March 9 & 10, part of the Classix Series: Trailblazers, bringing a concert full of stories about trail blazers that have shaped history and our world. At the Pioneer Center for the Performing Arts, Mr. Hampson joins the orchestra for Michael Daugherty’s song cycle Letters from Lincoln. Hampson debuted the work in 2009 with the Spokane Symphony, which was recorded and released by Koch Records. Purchase links and more information is available via Hampson’s Recordings.
On March 6, Thomas Hampson returns to Tokyo for a special concert with superstar soprano Angela Gheorghiu and the Tokyo Philharmonic Orchestra at Suntory Hall. Under the baton of Eugene Kohn, Ms. Gheorghiu and Mr. Hampson perform beloved operatic arias and duets by Bizet, Verdi, Lehár, and more. Hampson and Ms. Gheorghiu have previously collaborated on a number of critically acclaimed records including Verdi’s Il trovatore, Bizet’s Carmen, and Massenet’s Werther. More information is available via Hampson’s Recordings.
Thomas Hampson performs his “Song of Liberty: Beyond America” project in his hometown of Spokane, on March 1 with pianist Lara Downes and an ensemble of musicians from the Spokane Symphony. Marking the west coast premiere of his new project, Hampson performs an all-American program that explores the influential people, poetry and events that helped create and define our nation. At the Martin Woldson Theater, using song, personal anecdotes and historical monologues, Hampson will take the audience on a journey through American history as seen through the eyes of poets and the ears of composers.
On February 24, Thomas Hampson, clarinetist Daniel Ottensamer, and the Wiener Virtuosen perform music by Mozart, Mahler, and Dvořák at the Musikverein. Hampson will perform Dvořák’s Zigeunerlieder and songs from Mahler’s Des Knaben Wunderhorn, a work he has championed and recorded with the Wiener Virtuosen. Released in Mahler Year 2011, the 100th anniversary of the composer’s death, the album was Hampson’s first ever studio recording of the orchestra version of Des Knaben Wunderhorn.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.