“There is no finer advocate nor any living artist more committed to the cause of American song than the celebrated baritone from Elkhart, Indiana… Hampson brought tender sincerity and a striking freedom of phrasing and rubato to “Simple Gifts.” While he now has to artfully negotiate the high notes in “The Boatman’s Dance,” his hearty swagger was delightful, complete with drawled Yankee R’s. The singer’s storytelling qualities were manifest in a characterful take on “The Golden Willow Tree,” rendered with impressive agility”
“The eminent baritone Thomas Hampson was the featured soloist in the evening’s all-American opening, a superb choice considering that few singers have done more to champion art songs of this country. Better still, Hampson famously delivers this material with the polished tones one expects of European lieder but also with a distinctly American rhythmic lilt and cadence.
He proved the point in a suite of three of Aaron Copland’s “Old American Songs,” traditional tunes set to Copland’s original accompaniment. “Simple Gifts” stands as the most famous of these, thanks to its prominent appearance in Copland’s “Appalachian Spring” ballet score, but Hampson shed light on this familiar music. The sheer tenderness of his long-held notes, the crisp articulation of his every syllable and his subtly changing tonal shades brought new meanings to a universally known song.”
Thomas Hampson returns to Teatro alla Scala for his greatly anticipated role debut as Altair in Strauss’ ravishing Die ägyptische Helena. Strauss and Hofmannsthal’s re-imagination of the Helen of Troy myth will feature a new production by Sven-Eric Bechtolf, with set design by Julian Crouch and costume design by Mark Bouman. This production marks the first time Die ägyptische Helena will be staged at La Scala. In 2017, Mr. Hampson made his operatic debut at the house as the title role of Don Giovanni, garnering praise for his “smooth, smart, deft, and ever-interesting” portrayal (The New Criterion).
This week, Thomas Hampson joins the Orchester Wiener Akademie to sing orchestral versions of selected Schubert songs arranged by Franz Liszt, Jacques Offenbach, Johannes Brahms, and Anton von Webern. Under the baton of Martin Haselböck, performances take place on October 9 at the Brucknerhaus Linz, part of the Brucknerfest, and on October 13 at the Musikverein, marking the ensemble’s first concert of the season at the Musikverein.
The award, including an endowment of €10,000, honours personalities committed to teaching classical music.
Thomas Hampson will be awarded the 2020 Heidelberger Frühling Music Award. The award, which includes an endowment of €10,000 and will be presented at the eponymous music festival, honours the American baritone star’s decades of commitment to the ‘Kunstlied’ (art song).
Performing together since 2010, Thomas Hampson and Luca Pisaroni bring their “No Tenors Allowed” concert to Brigham Young University and to Buenos Aires’ Teatro Colón this fall. On October 1, Hampson and Pisaroni share the stage at the de Jong Concert Hall, performing selections from opera, including Donizettti’s Don Pasquale and Mozart’s Don Giovanni, along with Broadway show tunes and popular songs, with pianist Kevin Murphy.
From September 23 – 28, Thomas Hampson and Melanie Diener, worldwide acclaimed soprano from Waiblingen, teach – for the first time in 2019 – an opera workshop to the next generation of outstanding singers at the Bürgerzentrum Waiblingen. The first International Waiblingen Opera Workshop has chosen 13 singers from eight countries, including Germany, Spain, USA, Israel, Russia, Serbia, Korea, and China.
On September 13 & 17, Thomas Hampson performs at the first-ever Tsinandali Festival in Georgia. For the first concert, the extraordinary virtuoso pianist, Jan Lisiecki, joins Mr. Hampson for a recital including the Heine songs from Schubert’s Schwanengesang, and Schumann’s Dichterliebe. Schumann composed his Dichterliebe during a creative surge in 1840, also known as his “year of song,” where he produced more than 130 Lieder.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.