“In the title role, Thomas Hampson is stellar. His strong body, handsome face, and kind smile is suited perfectly to the beloved Emperor. He plays his Hadrian as proper, reserved, and polite yet with this undercurrent of charisma roiling beneath the surface. The singing is outstanding. Often skirting the line between operatic and musical theatre production (similar to Wainwright’s score), Hampson takes us on a viable emotional journey in an accessible and visceral way; his aria in Act II reveals layer after layer of a man torn between honoring his true self and the conquering, ever-masculine Roman Emperor at the time of Jesus’s rise to prominence.”
“Thomas Hampson is magnificent as Hadrian, bringing expressive depth and broken regality to the ailing emperor, caught between Turbo and Plotina’s counsel and a paralyzing grief over Antinous. He makes excellent use of the range given to his character: at the opera’s outset, Hadrian remains collapsed on the floor, singing only his lover’s name in a melancholic, exhausted voice (Act I sees Hampson singing for lengthy periods of time while seated, an affecting and demanding choice from director Peter Hinton). His grief—though often present—is never one-note, but layered. When he goes back in time to the night he first met Antinous, he is a man transformed, his voice rich and full of vigour.”
“There was honest chemistry between Thomas Hampson (Hadrian) and Isaiah Bell (Antinous); Hampson is an endearing mix of vigorous and weathered, and Bell has a gorgeous arc from young caution to mature confidence. And perhaps this is the first time I’ve thought this in an opera, but the sex scene – much hyped and beautifully done, I thought – helped us connect with the two men.”
“Hadrian is a huge sing, and Thomas Hampson at age 63 did an amazing job… he sang strongly and indefatigably, commanding the stage with a mix of regal dignity and vulnerability.”
“A courageous performance”
Anthony Tommasini, The New York Times
“Toronto playwright Daniel MacIvor provides us with a simple plot: the early-second-century Roman emperor (excellently sung by American baritone Thomas Hampson)…”
“Renowned American baritone Thomas Hampson makes his COC debut in the title role. He delivered solid singing throughout…”
“Hampson is solid as a rock in his portrayal, and for the most part the one we’re watching throughout.”
The Gewandhausorchester will stream the best recordings from the 2018 and 2019 concerts of Leipzig’s largest classical event, the “Klassik airleben” on Saturday, June 27, at 20:00 via www.klassik-airleben.de. Due to the coronavirus pandemic, the famous open-air concert at the picturesque Rosental was canceled this year.
On Friday, May 1, starting at 21:00 CET, the Teatro Maggio Musicale Fiorentino will stream an at-home concert featuring some of the world’s greatest opera stars. Live from their living rooms, the performance will feature Thomas Hampson, Cecilia Bartoli, Vittorio Grigolo, Mikhail Petrenko, Diana Damrau, Ludovic Tézier, Francesco Meli, Lisette Oropesa, Luca Salsi, Krassimira Stoyanova, Michele Pertusi, Eva Mei, Leo Nucci, Sonya Yoncheva, Fabio Sartori, and Saioa Hernández, among others who have yet to be announced.
The New York Philharmonic announced their new digital festival, Mahler’s New York, a two-week celebration of the composer/conductor who spent time in New York as the Philharmonic’s tenth Music Director (1909-11), running from April 16-30, 2020, at nyphil.org/mahlerny. During this period of global isolation and crisis, the NY Phil hopes all listeners will take comfort and inspiration in Mahler’s music and musings.
In this Beethoven-year, Thomas Hampson joins the Amsterdam Sinfonietta on tour to Moscow, France, Switzerland, and the Netherlands. Together they bring a loving musical program, featuring Beethoven’s pining song cycle An die ferne Geliebte, and new arrangements of songs by Richard Strauss. In the past, Mr. Hampson has joined Amsterdam Sinfonietta on tour in Europe, including appearances in the major concert halls of Dublin, Madrid, Vienna, and Lisbon. He also recently teamed up with the ensemble to create the acclaimed ‘Tides of Life’ CD, released by Channel Classics in 2017.
Thomas Hampson heads to the University of Michigan School of Music for his residency beginning on Sunday, February 2, with the “Song As Citizenship” Symposium in McIntosh Theatre. The free event will be led by Associate Dean Mark Clague, with panelists including Mr. Hampson, Lousie Toppin, Caroline Helton, Chrisie Finn, George Shirley, among others. The event explores the importance of music and song. Three SMTD vocalists will sing solo songs.
Thomas Hampson brings his “Song of America: Beyond Liberty” project to the Tucson Desert Song Festival and the Seattle Symphony this month, celebrating and exploring the influential people, poetry, and events that helped create and define “the land of the free.” Hampson will be accompanied by pianist Lara Downes and a diverse ensemble of exceptional musicians, the Beyond Liberty Players.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.