“In the title role, Thomas Hampson is stellar. His strong body, handsome face, and kind smile is suited perfectly to the beloved Emperor. He plays his Hadrian as proper, reserved, and polite yet with this undercurrent of charisma roiling beneath the surface. The singing is outstanding. Often skirting the line between operatic and musical theatre production (similar to Wainwright’s score), Hampson takes us on a viable emotional journey in an accessible and visceral way; his aria in Act II reveals layer after layer of a man torn between honoring his true self and the conquering, ever-masculine Roman Emperor at the time of Jesus’s rise to prominence.”
“Thomas Hampson is magnificent as Hadrian, bringing expressive depth and broken regality to the ailing emperor, caught between Turbo and Plotina’s counsel and a paralyzing grief over Antinous. He makes excellent use of the range given to his character: at the opera’s outset, Hadrian remains collapsed on the floor, singing only his lover’s name in a melancholic, exhausted voice (Act I sees Hampson singing for lengthy periods of time while seated, an affecting and demanding choice from director Peter Hinton). His grief—though often present—is never one-note, but layered. When he goes back in time to the night he first met Antinous, he is a man transformed, his voice rich and full of vigour.”
“There was honest chemistry between Thomas Hampson (Hadrian) and Isaiah Bell (Antinous); Hampson is an endearing mix of vigorous and weathered, and Bell has a gorgeous arc from young caution to mature confidence. And perhaps this is the first time I’ve thought this in an opera, but the sex scene – much hyped and beautifully done, I thought – helped us connect with the two men.”
“Hadrian is a huge sing, and Thomas Hampson at age 63 did an amazing job… he sang strongly and indefatigably, commanding the stage with a mix of regal dignity and vulnerability.”
“A courageous performance”
Anthony Tommasini, The New York Times
“Toronto playwright Daniel MacIvor provides us with a simple plot: the early-second-century Roman emperor (excellently sung by American baritone Thomas Hampson)…”
“Renowned American baritone Thomas Hampson makes his COC debut in the title role. He delivered solid singing throughout…”
“Hampson is solid as a rock in his portrayal, and for the most part the one we’re watching throughout.”
Thomas Hampson and Luca Pisaroni present their “No Tenors Allowed” concert at the Stiftskirche Millstatt this month. On August 18, accompanied by their longtime collaborator, pianist Christian Koch, the artists will perform arias from the operatic repertoire, Broadway musical hits, and classical and popular songs. In the 2019/20 season, Hampson and Pisaroni take their ebullient concert series to both Provo, Utah (October 1), and then to the Teatro Colón in Buenos Aires (October 4).
Thomas Hampson joins the Turku Philharmonic Orchestra, conducted by Klaus Mäkelä, for the opening concert of the Turku Musical Festival on August 8, at the Turku Concert Hall. Hampson will perform selections from Mahler’s Des Knaben Wunderhorn. Completing the program is Wagner’s Overture to Die Meistersinger von Nürnberg, Strauss’ epic tone poem Also sprach Zarathustra, as well as Saariaho’s Asteroid 4179: Toutatis, which is inspired by an asteroid named after a Celtic god worshipped in ancient Gaul and Britain.
On July 31, Thomas Hampson brings his Song of America: Beyond Liberty project to the Tanglewood Festival, featuring guest artist, pianist Lara Downes, and the Beyond Liberty Players. Together they bring the American songbook to Ozawa Hall and explore the influential people and monumental events that helped create and define America.
Marking the 26th edition, Thomas Hampson returns to the Verbier Festival this month for two exciting performances and several masterclasses with students from the Verbier Festival Academy.
Thomas Hampson joins the Bayerisches Staatsorchester and soprano Golda Schultz for Oper für alle on July 20 at the Marstallplatz. Part of the Münchner Opernfestspiele, the free open-air concert will be led by Maestro Kirill Petrenko, and broadcasted live via Staatsoper.tv.
On July 11, Thomas Hampson joins Romanian soprano Elena Moșuc and the Slovenian Philharmonic Orchestra, led by Nicolae Moldoveanu, for an evening of opera arias and duets at the Cankarjev dom. The program features works by Rossini, Donizetti, Mozart, Bellini, Massenet and Verdi.
The Ljubljana Festival, rich in tradition, shapes the summer cultural events of the city with world-class art events.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.