“In the title role, Thomas Hampson is stellar. His strong body, handsome face, and kind smile is suited perfectly to the beloved Emperor. He plays his Hadrian as proper, reserved, and polite yet with this undercurrent of charisma roiling beneath the surface. The singing is outstanding. Often skirting the line between operatic and musical theatre production (similar to Wainwright’s score), Hampson takes us on a viable emotional journey in an accessible and visceral way; his aria in Act II reveals layer after layer of a man torn between honoring his true self and the conquering, ever-masculine Roman Emperor at the time of Jesus’s rise to prominence.”
“Thomas Hampson is magnificent as Hadrian, bringing expressive depth and broken regality to the ailing emperor, caught between Turbo and Plotina’s counsel and a paralyzing grief over Antinous. He makes excellent use of the range given to his character: at the opera’s outset, Hadrian remains collapsed on the floor, singing only his lover’s name in a melancholic, exhausted voice (Act I sees Hampson singing for lengthy periods of time while seated, an affecting and demanding choice from director Peter Hinton). His grief—though often present—is never one-note, but layered. When he goes back in time to the night he first met Antinous, he is a man transformed, his voice rich and full of vigour.”
“There was honest chemistry between Thomas Hampson (Hadrian) and Isaiah Bell (Antinous); Hampson is an endearing mix of vigorous and weathered, and Bell has a gorgeous arc from young caution to mature confidence. And perhaps this is the first time I’ve thought this in an opera, but the sex scene – much hyped and beautifully done, I thought – helped us connect with the two men.”
“Hadrian is a huge sing, and Thomas Hampson at age 63 did an amazing job… he sang strongly and indefatigably, commanding the stage with a mix of regal dignity and vulnerability.”
“A courageous performance”
Anthony Tommasini, The New York Times
“Toronto playwright Daniel MacIvor provides us with a simple plot: the early-second-century Roman emperor (excellently sung by American baritone Thomas Hampson)…”
“Renowned American baritone Thomas Hampson makes his COC debut in the title role. He delivered solid singing throughout…”
“Hampson is solid as a rock in his portrayal, and for the most part the one we’re watching throughout.”
From September 23 – 28, Thomas Hampson and Melanie Diener, worldwide acclaimed soprano from Waiblingen, teach – for the first time in 2019 – an opera workshop at the Bürgerzentrum Waiblingen to outstanding singers of the new generation.
After his curated Schubert Week at Berlin’s Pierre Boulez Saal this past January, Thomas Hampson returns to the Kongresshaus Stadthalle Heidelberg to lead the Heidelberg Lied Academy from March 21-24. As artistic director, Hampson and fellow renowned mentors and pianists, Hartmut Höll and Ammiel Bushakevitz, will work with the Lied Academy Scholars in public and private masterclasses, with the scholars performing a final concert on March 24.
Thomas Hampson sings with the Reno Philharmonic Orchestra on March 9 & 10, part of the Classix Series: Trailblazers, bringing a concert full of stories about trail blazers that have shaped history and our world. At the Pioneer Center for the Performing Arts, Mr. Hampson joins the orchestra for Michael Daugherty’s song cycle Letters from Lincoln. Hampson debuted the work in 2009 with the Spokane Symphony, which was recorded and released by Koch Records. Purchase links and more information is available via Hampson’s Recordings.
On March 6, Thomas Hampson returns to Tokyo for a special concert with superstar soprano Angela Gheorghiu and the Tokyo Philharmonic Orchestra at Suntory Hall. Under the baton of Eugene Kohn, Ms. Gheorghiu and Mr. Hampson perform beloved operatic arias and duets by Bizet, Verdi, Lehár, and more. Hampson and Ms. Gheorghiu have previously collaborated on a number of critically acclaimed records including Verdi’s Il trovatore, Bizet’s Carmen, and Massenet’s Werther. More information is available via Hampson’s Recordings.
Thomas Hampson performs his “Song of Liberty: Beyond America” project in his hometown of Spokane, on March 1 with pianist Lara Downes and an ensemble of musicians from the Spokane Symphony. Marking the west coast premiere of his new project, Hampson performs an all-American program that explores the influential people, poetry and events that helped create and define our nation. At the Martin Woldson Theater, using song, personal anecdotes and historical monologues, Hampson will take the audience on a journey through American history as seen through the eyes of poets and the ears of composers.
On February 24, Thomas Hampson, clarinetist Daniel Ottensamer, and the Wiener Virtuosen perform music by Mozart, Mahler, and Dvořák at the Musikverein. Hampson will perform Dvořák’s Zigeunerlieder and songs from Mahler’s Des Knaben Wunderhorn, a work he has championed and recorded with the Wiener Virtuosen. Released in Mahler Year 2011, the 100th anniversary of the composer’s death, the album was Hampson’s first ever studio recording of the orchestra version of Des Knaben Wunderhorn.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.