Thomas Hampson, America’s foremost baritone and a champion of the art of classic song, makes his Cedille Records debut with an album of songs by early mid-twentieth-century composers from Chicago.
On Songs from Chicago, available September 14, 2018, Hampson sings settings of poetry by Walt Whitman, Langston Hughes, and Rabindranath Tagore composed by Ernst Bacon, Florence Price, John Alden Carpenter, Margaret Bonds, and Louis Campbell-Tipton (Cedille Records CDR 90000 180).
All of them, Hampson says, “have distinguished themselves in history as great voices of the artistic American narrative.”
Hailed as “an outstanding recitalist” by Grove Music Online, Hampson is accompanied on Songs from Chicago by Kuang-Hao Huang, collaborative pianist of choice for Chicago’s top singers and instrumentalists.
The album’s 28-page booklet includes an introductory essay by Hampson, biographical sketches of the composers, and original texts of the poems set to music.
James Ginsburg, Cedille Records founder and president and the album’s producer, says, “I’ve had the pleasure of hearing Thomas Hampson sing on many occasions over the years. And we’ve had the opportunity to socialize at post-performance receptions. Initially casual discussions led to this recording, which weds his love of American art song with Cedille Records’ Chicago-centric focus.” Hampson writes in the album’s liner notes, “I have long been a fan of Cedille Records and its mandate to record the works of Chicago-based composers and performers.”
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Thomas Hampson makes his highly anticipated debut with the Canadian Opera Company in the world premiere of Rufus Wainwright’s Hadrian. Hampson sings the title role in this epic love story, based on the life of the Roman emperor Hadrian, with libretto by Daniel MacIvor. Led by Johannes Debus, the monumental production by Peter Hinton will open the COC’s 68th season beginning October 13 through October 27.
Thomas Hampson travels to the Tanglewood Festival this month to celebrate the centennial of his late mentor, Leonard Bernstein, and to perform Beethoven’s Symphony No. 9 with the Boston Symphony Orchestra.
“At this pivotal time in history, Americas art song literature provides a means of communicating, in the simple beauty of word and music, the truths of a nation born of an ideology whose language celebrates the individual. This language of heart and mind says everything about the culture that created it. And when we sing our own songs, those who hear us will have experienced the best of what freedom of thought and purpose can achieve in the creation of great art.” -Thomas Hampson
Thomas Hampson and Luca Pisaroni head to Austria and the United States for their successful “No Tenors Allowed” concerts this August.
Thomas Hampson travels to Vienna for a special jubilee concert honoring the 100th year since the end of World War I.
On August 2 at the Stephansdom, Hampson will sing with the European Youth Orchestra and the Czech Philharmonic Choir under the baton of Manfred Honeck. Additional soloists include bass-baritone Luca Pisaroni, soprano Maria Nazarova, soprano Cornelia Horak, mezzo-soprano Iris Vermillion, and speaker Christoph Wagner-Trenkwitz.
The program will include music by Holst, Górecki, Respighi, Schubert, Haydn, Mahler, Bruckner, Boulanger, and Mahler. Artistic director and conductor Manfred Honeck asked at the beginning of rehearsals with the European Youth Orchestra, “More than 70 years of peace – do we and our youth in Europe know what that means?” With this concert, the ensemble hopes to commemorate the lives that were lost in this life-changing war and the peace that has continued through Europe for the past 100 years.
This month, Thomas Hampson will make appearances at the Munich Opera Festival in Puccini’s Tosca, and he will perform a recital with his longtime colleague, pianist Wolfram Rieger, in Toblach.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.