This edition of Take 5 features renowned American baritone Thomas Hampson! Songs from Chicago, his debut album on Cedille, is a program of songs by five composers of the early 20th century associated with the city of Chicago: Ernst Bacon, Florence Price, John Alden Carpenter, Margaret Bonds, and Louis Campbell-Tipton. All of them, Hampson says, “have distinguished themselves in history as great voices of the artistic American narrative.” The poetry used in these songs is equally distinguished and includes poem by Walt Whitman, Langston Hughes, and Rabindranath Tagore, the Bengali poet who became the first non-European to receive the Nobel Prize for Literature. Songs from Chicago is available September 14, 2018.
If you weren’t a musician, what would you be?
My life, without music?! Tough to imagine it. I would enjoy running a young artist program or a music school or maybe be a radio host, so I could still be close to the music and connect with audiences in a different way. I can also imagine running an opera company.
What is your most recent project and what sparked your interest in it?
I’m getting ready for the world premiere of Song of America: Beyond Liberty at the Glimmerglass Festival. This is a project I’ve been working on for quite a while, and am counting the days until its debut. We – myself, pianist Lara Downes, the Beyond Liberty Players, and several guest artists – will bring American stories and songs to all 50 states and more over the next few years. We’ll connect with every community we visit through concerts, master classes, teacher workshops, and outreach programs. For me, this is a passion project in every sense of the word.
Was there a formative moment for you as an artist?
I’ve been very lucky in my life and career. Many people, including idols of mine, have offered me formative and important moments. Sister Marietta Coyle, my first voice teacher, awakened something in me. She encouraged me to continue learning history, politics, and literature all throughout my musical studies. Leonard Bernstein gave me wings, inspiring and challenging me throughout every one of our collaborations. Nikolaus Harnoncourt offered me priceless guidance and always drove me to question, to learn, and to explore. I’m grateful for all three of them, and for the others who have had a profound influence on my soul and my art.
What album/band are you listening to right now?
Anything from Wynton Marsalis, especially the live albums, and Willie Nelson’s new album has great tracks.
What makes the Chicago classical music scene unique?
Chicago has always been one of America’s most exciting music hubs and has inspired generations of musicians. You have a world-class orchestra, the legendary Ravinia Festival, and the Lyric Opera of Chicago which is just fantastic, to name a few of the biggies, as well as phenomenal blues and jazz clubs. Although I spend a lot of my time singing classical music, I love to sing American songs that reflect specific regions, or in this case, cities. For me, Songs from Chicago recognizes many of the almost forgotten creative spirits from this city, and it celebrates the rich musical heritage which is unlike anywhere else in the world.
Thomas Hampson makes his highly anticipated debut with the Canadian Opera Company in the world premiere of Rufus Wainwright’s Hadrian. Hampson sings the title role in this epic love story, based on the life of the Roman emperor Hadrian, with libretto by Daniel MacIvor. Led by Johannes Debus, the monumental production by Peter Hinton will open the COC’s 68th season beginning October 13 through October 27.
Thomas Hampson travels to the Tanglewood Festival this month to celebrate the centennial of his late mentor, Leonard Bernstein, and to perform Beethoven’s Symphony No. 9 with the Boston Symphony Orchestra.
“At this pivotal time in history, Americas art song literature provides a means of communicating, in the simple beauty of word and music, the truths of a nation born of an ideology whose language celebrates the individual. This language of heart and mind says everything about the culture that created it. And when we sing our own songs, those who hear us will have experienced the best of what freedom of thought and purpose can achieve in the creation of great art.” -Thomas Hampson
Thomas Hampson and Luca Pisaroni head to Austria and the United States for their successful “No Tenors Allowed” concerts this August.
Thomas Hampson travels to Vienna for a special jubilee concert honoring the 100th year since the end of World War I.
On August 2 at the Stephansdom, Hampson will sing with the European Youth Orchestra and the Czech Philharmonic Choir under the baton of Manfred Honeck. Additional soloists include bass-baritone Luca Pisaroni, soprano Maria Nazarova, soprano Cornelia Horak, mezzo-soprano Iris Vermillion, and speaker Christoph Wagner-Trenkwitz.
The program will include music by Holst, Górecki, Respighi, Schubert, Haydn, Mahler, Bruckner, Boulanger, and Mahler. Artistic director and conductor Manfred Honeck asked at the beginning of rehearsals with the European Youth Orchestra, “More than 70 years of peace – do we and our youth in Europe know what that means?” With this concert, the ensemble hopes to commemorate the lives that were lost in this life-changing war and the peace that has continued through Europe for the past 100 years.
This month, Thomas Hampson will make appearances at the Munich Opera Festival in Puccini’s Tosca, and he will perform a recital with his longtime colleague, pianist Wolfram Rieger, in Toblach.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.