This edition of Take 5 features renowned American baritone Thomas Hampson! Songs from Chicago, his debut album on Cedille, is a program of songs by five composers of the early 20th century associated with the city of Chicago: Ernst Bacon, Florence Price, John Alden Carpenter, Margaret Bonds, and Louis Campbell-Tipton. All of them, Hampson says, “have distinguished themselves in history as great voices of the artistic American narrative.” The poetry used in these songs is equally distinguished and includes poem by Walt Whitman, Langston Hughes, and Rabindranath Tagore, the Bengali poet who became the first non-European to receive the Nobel Prize for Literature. Songs from Chicago is available September 14, 2018.
If you weren’t a musician, what would you be?
My life, without music?! Tough to imagine it. I would enjoy running a young artist program or a music school or maybe be a radio host, so I could still be close to the music and connect with audiences in a different way. I can also imagine running an opera company.
What is your most recent project and what sparked your interest in it?
I’m getting ready for the world premiere of Song of America: Beyond Liberty at the Glimmerglass Festival. This is a project I’ve been working on for quite a while, and am counting the days until its debut. We – myself, pianist Lara Downes, the Beyond Liberty Players, and several guest artists – will bring American stories and songs to all 50 states and more over the next few years. We’ll connect with every community we visit through concerts, master classes, teacher workshops, and outreach programs. For me, this is a passion project in every sense of the word.
Was there a formative moment for you as an artist?
I’ve been very lucky in my life and career. Many people, including idols of mine, have offered me formative and important moments. Sister Marietta Coyle, my first voice teacher, awakened something in me. She encouraged me to continue learning history, politics, and literature all throughout my musical studies. Leonard Bernstein gave me wings, inspiring and challenging me throughout every one of our collaborations. Nikolaus Harnoncourt offered me priceless guidance and always drove me to question, to learn, and to explore. I’m grateful for all three of them, and for the others who have had a profound influence on my soul and my art.
What album/band are you listening to right now?
Anything from Wynton Marsalis, especially the live albums, and Willie Nelson’s new album has great tracks.
What makes the Chicago classical music scene unique?
Chicago has always been one of America’s most exciting music hubs and has inspired generations of musicians. You have a world-class orchestra, the legendary Ravinia Festival, and the Lyric Opera of Chicago which is just fantastic, to name a few of the biggies, as well as phenomenal blues and jazz clubs. Although I spend a lot of my time singing classical music, I love to sing American songs that reflect specific regions, or in this case, cities. For me, Songs from Chicago recognizes many of the almost forgotten creative spirits from this city, and it celebrates the rich musical heritage which is unlike anywhere else in the world.
On June 28 & 29, Thomas Hampson joins the Gewandhausorchester and soprano Kristine Opolais for two free Klassik airleben concerts in Leipzig. Under the baton of Andris Nelsons, Hampson and Ms. Opolais perform arias, duets and orchestral works from the Italian opera tradition. Following, on June 30, Hampson and Ms. Opolais reprise the program with Nelsons and the Gewandhausorchester at the Konzerthaus Dortmund, marking the final concert for Nelsons and the Gewandhausorchester this season.
On June 23, Thomas Hampson and pianist Wolfram Rieger travel to Schwarzenberg to present an all-Mahler recital at the Angelika-Kauffmann-Saal. Hot on the heels of their recent Liederabend at the Opernhaus Zürich, together they will perform a program of selections from Mahler’s Des Knaben Wunderhorn, and Kindertotenlieder.
WFMT’s Chicago Symphony Orchestra Radio Broadcast Series will broadcast a live performance featuring Thomas Hampson and the CSO, led by Bramwell Tovey, on June 30 at 8 PM (CT). Hosted by Lisa Simeone, the two-hour Chicago Symphony Orchestra broadcasts include dynamic and innovative commentary, which takes the listener behind the scenes and into the music. The performance features a program of American songs and orchestral music by Ives, Copland, Still, and more. Learn more about the broadcast here.
Thomas Hampson returns to the Opernhaus Zürich for a Liederabend with pianist Wolfram Rieger on June 19. Hampson will perform selected songs by Mahler, H.T. Burleigh, Margaret Bonds, Jean Berger, and Leonard Bernstein. He also sings Jennifer Higdon’s Civil Words, dedicated to Mr. Hampson, who first premiered the work in 2015 with Wolfram Rieger. Next season, Hampson returns to the Opernhaus Zürich to take on the role of Jan Vermeer in the world premiere of Stefan Wirth’s Girl with a Pearl Earring.
On June 7, Thomas Hampson opens the Whitsun Festival with his superstar colleagues, soprano Nadine Sierra, and tenor Michael Fabiano, in a concert entitled “American Night,” at the Festspielhaus Baden-Baden. Hampson has long championed the American song, with the help of his “Song of America” project, which aims to explore connections between poetry and music, and history and culture, through the work of American composers and poets.
Photo: Michael Cooper
Canadian Opera Company’s world premiere of Rufus Wainwright’s Hadrian has been nominated in seven categories for the 40th Anniversary Dora Mavor Moore Awards. Additionally, Hampson has been nominated in the “Outstanding Performance of an Individual” category for his performance in the title role. The Dora Mavor Moore Awards recognizes excellence in professional theatre, dance, and opera in Toronto.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.