Thomas Hampson returns to Heidelberg this spring, to lead his annual series of master classes as part of Heidelberger Frühling (Heidelberg Spring Festival). Hampson’s sold-out classes take place on April 6, 7, 8 & 11, with a final concert featuring the class participants on April 12. These events are presented in collaboration with Heidelberg University, and are hosted at the Kongresshaus Stadthalle Heidelberg. Videos from past classes in Heidelberg can be found via Mr. Hampson’s artist page on medici.tv. Additional live streams will also take place this year, read on for details.
10am (CEST): Welcome & Master class with Thomas Hampson
2:30pm: Master class with Thomas Hampson
Open Classes with Thomas Hampson
10:45am (CEST): Master class with Thomas Hampson
2:30pm: Master class with Thomas Hampson
10am (CEST): Opening conversation dedicated to Schubert with Thomas Hampson, Hartmut Höll, Graham Johnson, Sabine Scharnagl, and Richard Stokes
10:30am: Open Class “Viva Schubert”
2:30pm: Open Class “Viva Schubert”
Open Classes with Graham Johnson
10am (CEST): Introduction to French Song, and its comparison to the Lieder of Schubert, with internationally-renowned collaborative pianist Graham Johnson
10:30am: Master class with Graham Johnson
2:30pm: Master class with Graham Johnson
Plato’s famous academy is the name-giver for all its emulators. His pupils were equal, regardless of origin and status. Dissenting voices were not only allowed but encouraged. For a short while, the members lived and studied as a community, taking their meals together and celebrating in each other’s company. Heidelberger Frühling’s Festival takes its cue from Plato. In the middle of the festival, chamber musicians, singers, composers and music journalists do precisely the same thing, playing, listening, debating, eating and celebrating together, amongst themselves, before and with their audiences. Singers work with chamber musicians, composers discuss their works with the performers and the first people to hear them. In exchanges with composers, young journalists learn something about creative preconditions, composers find out about the standards upheld by music critics. From this they all emerge somewhat the wiser, many of them as (new) friends.
Thomas Hampson makes his highly anticipated debut with the Canadian Opera Company in the world premiere of Rufus Wainwright’s Hadrian. Hampson sings the title role in this epic love story, based on the life of the Roman emperor Hadrian, with libretto by Daniel MacIvor. Led by Johannes Debus, the monumental production by Peter Hinton will open the COC’s 68th season beginning October 13 through October 27.
Thomas Hampson travels to the Tanglewood Festival this month to celebrate the centennial of his late mentor, Leonard Bernstein, and to perform Beethoven’s Symphony No. 9 with the Boston Symphony Orchestra.
“At this pivotal time in history, Americas art song literature provides a means of communicating, in the simple beauty of word and music, the truths of a nation born of an ideology whose language celebrates the individual. This language of heart and mind says everything about the culture that created it. And when we sing our own songs, those who hear us will have experienced the best of what freedom of thought and purpose can achieve in the creation of great art.” -Thomas Hampson
Thomas Hampson and Luca Pisaroni head to Austria and the United States for their successful “No Tenors Allowed” concerts this August.
Thomas Hampson travels to Vienna for a special jubilee concert honoring the 100th year since the end of World War I.
On August 2 at the Stephansdom, Hampson will sing with the European Youth Orchestra and the Czech Philharmonic Choir under the baton of Manfred Honeck. Additional soloists include bass-baritone Luca Pisaroni, soprano Maria Nazarova, soprano Cornelia Horak, mezzo-soprano Iris Vermillion, and speaker Christoph Wagner-Trenkwitz.
The program will include music by Holst, Górecki, Respighi, Schubert, Haydn, Mahler, Bruckner, Boulanger, and Mahler. Artistic director and conductor Manfred Honeck asked at the beginning of rehearsals with the European Youth Orchestra, “More than 70 years of peace – do we and our youth in Europe know what that means?” With this concert, the ensemble hopes to commemorate the lives that were lost in this life-changing war and the peace that has continued through Europe for the past 100 years.
This month, Thomas Hampson will make appearances at the Munich Opera Festival in Puccini’s Tosca, and he will perform a recital with his longtime colleague, pianist Wolfram Rieger, in Toblach.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.