‘Doch meine Saiten tönen/Nur Liebe im Erklingen!’ (‘But my strings sound out only love in their tones!’) sings the bard in Schubert’s An die Leier, the third track on my Disc of the Week. It’s a sentiment which certainly resounds throughout this innovative and warm-hearted collaboration between American baritone Thomas Hampson and the Amsterdam Sinfonietta, which places Samuel Barber’s setting of Matthew Arnold’s Dover Beach alongside eleven songs by Schubert, Schumann, Brahms and Wolf in new arrangements for voice and strings by the British composer David Matthews (whose work includes arrangements of Mahler songs in partnership with his brother Colin as well as eight symphonies and thirteen string quartets).
Hampson and the ensemble are old friends (they first worked together in the 1990s, and their projects together have included a chamber version of Mahler’s Des Knaben Wunderhorn); the programme was put together for a European concert-tour in spring 2014, and arose from a desire to augment the rather scant repertoire for baritone and ensemble (even Dover Beach, the only work on the disc to include strings in the original scoring, is ‘upscaled’ here from the composer’s setting for voice and string quartet).
The results have immediate appeal and integrity, with the new timbres always enhancing rather than obfuscating the text, and striking a quite wonderful balance between fidelity to the spirit of the originals and little touches of happy anachronism here and there: the wide-open spacing of the chords in the second stanza of the first song (Wolf’s raptly pastoral Auf einer Wanderung, brought to quivering life here with breathless tremolos and surging glissandi) rather put me in mind of Vaughan Williams’s fantasias, whilst elsewhere the writing evokes the atmosphere of Britten’s Simple Symphony and the string serenades of Elgar and Tchaikovsky. The macabre glee of Wolf’s Der Rattenfänger (a distinctly adult incarnation of The Pied Piper) is captured with particular relish, all scurrying pizzicati and wiry sul ponticello (playing near the bridge of the instrument) effects as the itinerant musician-cum-pest-controller (appropriately enough, another string-player!) chases down vermin and erotic conquests alike with wily grace.
Beginning the new season, Thomas Hampson returns to Opéra national de Paris to star as Graf Danilo Danilowitsch in Lehar’s ever-popular Die lustige Witwe (“The Merry Widow”). He sings the role September 9 – October 21, with a sparkling cast including Véronique Gens as Hanna Glawari, Valentina Naforniţa as Valencienne, and Stephen Costello as Camille de Rosillon. Conductors Jakub Hrůša and
Marius Stieghorst alternate performances, with a production staged by Jorge Lavelli.
With “Serenade,” his first album exclusively dedicated to French song, Mr. Hampson brings his passion for works by French opera composers to the Pentatone label. Curated with the French Literature scholar Sylvain Fort and in a first collaboration with the Polish pianist Maciej Pikulski, the track listing includes romantic and introspective as well as humorous selections by Bizet, Chabrier, Chausson, Gounod, Magnard, Massenet, and Saint-Saëns, featuring texts written by some of France’s most revered writers including Victor Hugo, Paul Verlaine, Rosemonde Gérard, and others.
For more information about this CD, visit Mr. Hampson’s discography.
This recording is available exclusively from Pentatone’s website.
Thomas Hampson continues his summer season in Europe this month, as the featured soloist in two Gala Concerts in Germany. Mr. Hampson travels to Bremen to sing with the Deutsche Kammerphilharmonie and conductor David Marlow at Knoops Park on August 11, part of the annual “Summer in Lesmona” Festival at the park. He follows this engagement with another Gala Festival Concert, this time with the Staatsorchester Hannover at the Staatsoper Hannover Opernhaus. The performance, hosted on August 19, features both Ivan Repušić and Mark Rohde leading from the podium, with a roster of more than 15 soloists from the company. Klaus Angermann hosts the evening, with proceeds benefitting the Staatsoper Hannover Foundation and its education programs. Works featured will preview the company’s upcoming 2017/18 season in arias, ensembles, and solo orchestral selections.
The critically lauded Deutsche Grammophon release of Mozart’s Le Nozze di Figaro, starring Thomas Hampson in a “wondrous” and “moving” (Online-Merker) portrayal of Count Almaviva, has been honored as the 2017 ECHO Klassik Award-winner in the “Best Opera Recording” (works up to or through the 17th/18th century) category. The album features a phenomenal roster of talent, including Mr. Hampson’s son-in-law Luca Pisaroni in the title role and the Chamber Orchestra of Europe, all conducted by Maestro Yannick Nezet-Seguin. The ECHO Klassik Awards Gala takes place on October 29 at the Elbphilharmonie in Hamburg; tickets and more info can be found at ECHOKlassik.de.
Naxos has released a DVD recording of Verdi’s La Traviata, with an all-star cast featuring Marina Rebeka as Violetta Valéry, Francesco Demuro as Alfredo Germont and Thomas Hampson as his father, Giorgio Germont. Canadian conductor Keri-Lynn Wilson is at the podium, leading the NDR Radiophilharmonie.
Thomas Hampson returns to the Verbier Festival this month as a Verbier Academy Faculty member, presenting a series of Masterclasses. Focused on specific topics in singing, these Masterclasses will take place on July 21 & 22 (Opera) and July 23 & 24 (Lied/Art Song). The classes are open to the public – visit VerbierFestival.com for detailed programme information.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.