There is often a dichotomy between the academic approach to singing that voice students learn in the studio and what professional singers do on the operatic and concert stage. Great singers at the top of the performing profession achieve their place with much analysis and awareness of their technique, art, interpretation and stagecraft that goes far beyond academic study and develops over years of experience, exposure, and the occasional embarrassing error. Master Singers brings these insights to the student, teacher, and emerging professional singer, giving them many needed signs and signals along the road to achieving their own artistry and established career. Through interviews with some of today’s most accomplished and renowned concert and operatic singers, including Thomas Hampson, Stephanie Blythe, Joyce DiDonato, and more, Master Singers provides vocalists making the transition from student to professional with indispensable advice on matters ranging from technique and its practical application for effective stage projection to the practicalities of the business of professional singing and maintaining a career to recommendations for vocal hygiene and longevity in singing.
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On September 13 & 17, Thomas Hampson performs at the first-ever Tsinandali Festival in Georgia. For the first concert, the extraordinary virtuoso pianist, Jan Lisiecki, joins Mr. Hampson for a recital including the Heine songs from Schubert’s Schwanengesang, and Schumann’s Dichterliebe. Schumann composed his Dichterliebe during a creative surge in 1840, also known as his “year of song,” where he produced more than 130 Lieder.
Thomas Hampson begins his 2019/20 season at the Wiener Staatsoper, starring as Germont in Verdi’s La Traviata. Hampson, who carries the title of Kammersänger of the Wiener Staatsoper, will share the stage with Irina Lungu as Violetta, and Charles Castronovo as Alfredo. Giampaolo Bisanti conducts, with performances taking place on September 4, 7, & 10. A live stream of La Traviata will be available via the Wiener Staatsoper on Sunday, September 7, beginning at 17:30.
Thomas Hampson and Luca Pisaroni present their “No Tenors Allowed” concert at the Stiftskirche Millstatt this month. On August 18, accompanied by their longtime collaborator, pianist Christian Koch, the artists will perform arias from the operatic repertoire, Broadway musical hits, and classical and popular songs. In the 2019/20 season, Hampson and Pisaroni take their ebullient concert series to both Provo, Utah (October 1), and then to the Teatro Colón in Buenos Aires (October 4).
Thomas Hampson joins the Turku Philharmonic Orchestra, conducted by Klaus Mäkelä, for the opening concert of the Turku Musical Festival on August 8, at the Turku Concert Hall. Hampson will perform selections from Mahler’s Des Knaben Wunderhorn. Completing the program is Wagner’s Overture to Die Meistersinger von Nürnberg, Strauss’ epic tone poem Also sprach Zarathustra, as well as Saariaho’s Asteroid 4179: Toutatis, which is inspired by an asteroid named after a Celtic god worshipped in ancient Gaul and Britain.
On July 31, Thomas Hampson brings his Song of America: Beyond Liberty project to the Tanglewood Festival, featuring guest artist, pianist Lara Downes, and the Beyond Liberty Players. Together they bring the American songbook to Ozawa Hall and explore the influential people and monumental events that helped create and define America.
Marking the 26th edition, Thomas Hampson returns to the Verbier Festival this month for two exciting performances and several masterclasses with students from the Verbier Festival Academy.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.