Feb 22, 2013
Following performances of songs from Mahler’s Des Knaben Wunderhorn with the Indianapolis Symphony February 22 and 23, Thomas Hampson heads to San Francisco for a recital with pianist Wolfram Rieger. Their program at Herbst Theatre on Tuesday, February 26 features music by Schumann and Barber, as well as the world premiere of a new song cycle by Michael Hersch. Hampson discusses the new work in the commentary that follows:
I’m thrilled to be going back to San Francisco for this recital, which will feature an important world premiere. Composer Michael Hersch has written a beautiful cycle for me, Domicilium, based on poetry by Thomas Hardy. I’ve known Michael for several years – in fact, one of the first conversations that he had about writing vocal music was with me and the Pittsburgh Symphony about 15 years ago, when he wrote that orchestral piece for them [Ashes of Memory], a powerful work that Mariss Jansons felt very strongly about. Michael and I have regular contact since then, and this new cycle is the first project we’ve done together.
I think it’s wonderful that this young American composer has focused on the poetry of such an important and influential English author as Thomas Hardy, whose poems are known to music lovers through well-known settings by Finzi. The cycle is comprised of five songs and the first one is only for the piano. In typical Hersch fashion, he’s gone to using “extracts” – almost Haiku-esque poems of Hardy that are extremely abstractionist. The story in these poems is in the bits that aren’t actually said! It’s hard to describe the effect in words, but Hersch has created a soundscape of supposed memory and implied emotions. It’s very powerful stuff.
I’m so pleased that this important new work is on a great program that starts with a quintessential song cycle by Schumann, his Liederkreis Op. 39. This cycle, which features poems by Eichendorff, is, in its own way, abstract. We’re also doing a number of songs by Samuel Barber. I find Barber and Schumann very close compatriots in the landscape of the soul in song. Together with the Hersch work this will be a challenging but I think very engaging recital.
For ticket and additional information visit: http://sfperformances.org/performances/1213/ThomasHampson.html
Thomas Hampson will fill in as a guest host for Terrance McKnight on WQXR this Thursday, November 5, beginning at 7 pm ET. During this hour, Thomas will celebrate the song repertoire, featuring works by Schubert, Mahler, Ives, and many others. Tune in and learn more about Hampson’s guest host hour via WQXR.
PENTATONE continues its American Opera Series with Houston Grand Opera’s world premiere recording of Tarik O’Regan’s The Phoenix (2019), an opera on the life of Lorenzo da Ponte, Mozart’s favorite librettist. Da Ponte (1749-1838) was an adventurer, who not only travelled the world, but in a way also through time, living across what seem to be impossible moments of history that never should have aligned in somebody’s life.
The documentary by C Major Entertainment “The Animated Story of Jenny Lind”, in which Thomas Hampson is the narrator, has won this year’s Golden Prague Fesitval’s Performing Arts Prize, one of the world’s most prestigious and acclaimed Performing Arts festival for TV and film, with opera, dance, concerts and documentaries from all over the world. It is also on the Shortlist of potential winners of the Prix Italia.
Thomas Hampson makes his Global Concert Hall debut next month, performing with the Orchester Wiener Akademie under the baton of its founder and musical director Martin Haselböck. The concert, filmed at the Brucknerhouse Linz in August 2020, will be streamed on IDAGIO’s Global Concert Hall on Thursday, October 15, beginning at 8 pm Berlin / 2 pm New York. The concert will be available to stream through October 22.
Thomas Hampson returns to the stage this month, with a concert at the Stiftskirche Millstatt, and two performances at the Salzkammergut Classic Festival. Beginning on August 2 in Millstatt, Hampson will perform lieder by Gustav Mahler and Johannes Brahms with pianist Christian Koch, and the Carinthia Chor Millstatt will sing Carinthian songs under the direction of Bernhard Zlanabitnig.
For the first time ever, audiences around the world will have a special opportunity to watch the Canadian Opera Company’s 2018 world premiere production of Hadrian, in full, online. On Monday, August 10 at 6:30 p.m. ET, in partnership with Montréal Pride Festival, the COC is hosting a free, one-night-only digital stream of the modern grand opera. The Hadrian Watch Party helps kick off one week of virtual Pride events and will feature a live Q&A session with both the composer and celebrated singer-songwriter Rufus Wainwright and librettist Daniel MacIvor, a giant in Canadian theatre.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.