Feb 22, 2013
Following performances of songs from Mahler’s Des Knaben Wunderhorn with the Indianapolis Symphony February 22 and 23, Thomas Hampson heads to San Francisco for a recital with pianist Wolfram Rieger. Their program at Herbst Theatre on Tuesday, February 26 features music by Schumann and Barber, as well as the world premiere of a new song cycle by Michael Hersch. Hampson discusses the new work in the commentary that follows:
I’m thrilled to be going back to San Francisco for this recital, which will feature an important world premiere. Composer Michael Hersch has written a beautiful cycle for me, Domicilium, based on poetry by Thomas Hardy. I’ve known Michael for several years – in fact, one of the first conversations that he had about writing vocal music was with me and the Pittsburgh Symphony about 15 years ago, when he wrote that orchestral piece for them [Ashes of Memory], a powerful work that Mariss Jansons felt very strongly about. Michael and I have regular contact since then, and this new cycle is the first project we’ve done together.
I think it’s wonderful that this young American composer has focused on the poetry of such an important and influential English author as Thomas Hardy, whose poems are known to music lovers through well-known settings by Finzi. The cycle is comprised of five songs and the first one is only for the piano. In typical Hersch fashion, he’s gone to using “extracts” – almost Haiku-esque poems of Hardy that are extremely abstractionist. The story in these poems is in the bits that aren’t actually said! It’s hard to describe the effect in words, but Hersch has created a soundscape of supposed memory and implied emotions. It’s very powerful stuff.
I’m so pleased that this important new work is on a great program that starts with a quintessential song cycle by Schumann, his Liederkreis Op. 39. This cycle, which features poems by Eichendorff, is, in its own way, abstract. We’re also doing a number of songs by Samuel Barber. I find Barber and Schumann very close compatriots in the landscape of the soul in song. Together with the Hersch work this will be a challenging but I think very engaging recital.
For ticket and additional information visit: http://sfperformances.org/performances/1213/ThomasHampson.html
With “Serenade,” his first album exclusively dedicated to French song, Mr. Hampson brings his passion for works by French opera composers to the Pentatone label. Curated with the French Literature scholar Sylvain Fort and in a first collaboration with the Polish pianist Maciej Pikulski, the track listing includes romantic and introspective as well as humorous selections by Bizet, Chabrier, Chausson, Gounod, Magnard, Massenet, and Saint-Saëns, featuring texts written by some of France’s most revered writers including Victor Hugo, Paul Verlaine, Rosemonde Gérard, and others.
For more information about this CD, visit Mr. Hampson’s discography.
This recording is available exclusively from Pentatone’s website.
Thomas Hampson continues his summer season in Europe this month, as the featured soloist in two Gala Concerts in Germany. Mr. Hampson travels to Bremen to sing with the Deutsche Kammerphilharmonie and conductor David Marlow at Knoops Park on August 11, part of the annual “Summer in Lesmona” Festival at the park. He follows this engagement with another Gala Festival Concert, this time with the Staatsorchester Hannover at the Staatsoper Hannover Opernhaus. The performance, hosted on August 19, features both Ivan Repušić and Mark Rohde leading from the podium, with a roster of more than 15 soloists from the company. Klaus Angermann hosts the evening, with proceeds benefitting the Staatsoper Hannover Foundation and its education programs. Works featured will preview the company’s upcoming 2017/18 season in arias, ensembles, and solo orchestral selections.
The critically lauded Deutsche Grammophon release of Mozart’s Le Nozze di Figaro, starring Thomas Hampson in a “wondrous” and “moving” (Online-Merker) portrayal of Count Almaviva, has been honored as the 2017 ECHO Klassik Award-winner in the “Best Opera Recording” (works up to or through the 17th/18th century) category. The album features a phenomenal roster of talent, including Mr. Hampson’s son-in-law Luca Pisaroni in the title role and the Chamber Orchestra of Europe, all conducted by Maestro Yannick Nezet-Seguin. The ECHO Klassik Awards Gala takes place on October 29 at the Elbphilharmonie in Hamburg; tickets and more info can be found at ECHOKlassik.de.
Naxos has released a DVD recording of Verdi’s La Traviata, with an all-star cast featuring Marina Rebeka as Violetta Valéry, Francesco Demuro as Alfredo Germont and Thomas Hampson as his father, Giorgio Germont. Canadian conductor Keri-Lynn Wilson is at the podium, leading the NDR Radiophilharmonie.
Thomas Hampson returns to the Verbier Festival this month as a Verbier Academy Faculty member, presenting a series of Masterclasses. Focused on specific topics in singing, these Masterclasses will take place on July 21 & 22 (Opera) and July 23 & 24 (Lied/Art Song). The classes are open to the public – visit VerbierFestival.com for detailed programme information.
Thomas Hampson is a featured contributor to the newly launched platform MUSAIC, from the New World Symphony and Music Director Michael Tilson Thomas. Mr. Hampson and other acclaimed artists, including cellist Yo-Yo Ma and conductor Pablo Heras-Casado, are featured in various site content including master classes, interviews, and more. Watch and learn today at musaic.nws.edu!
In song, you have one of the most amazing diaries of any generation’s culture at a given time.