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Esplora il significato del termine: Don Giovanni è mio «suocero» Alla Scala la sfida dei baritoni


Che tra i due ci fosse un legame speciale, con molti segreti e bugie, è risaputo. Ma che Leporello fosse il genero di Don Giovanni è un colpo di teatro da far vacillare persino due impudenti quali Mozart e Da Ponte. La sorprendente agnizione si manifesterà sabato sera alla Scala, quando nei due ruoli maschili chiave del titolo mozartiano, che torna con la direzione di Paavo Järvi e nell’edizione ideata da Robert Carsen per il 7 dicembre 2011, troveremo Thomas Hampson e Luca Pisaroni, baritoni di salda fama internazionale, nella vita uniti da Catherine, la bionda figlia di Thomas, che Luca conobbe nel 2003 a Salisburgo.

Thomas Hampson answers the Gramilano Questionnaire… Singers’ Edition


When did you start singing?
In the crib. Apparently, I was a very vocal baby 😉 … no seriously, I already sang as a child.

Why did you start singing?
I loved tunes and music always made sense to me.

“Il sorriso di Don Giovanni” (L’Ape musicale)


Grande fermento a Milano per il Don Giovanni di Mozart, nella ripresa dell’allestimento di Robert Carsen che aprì la stagione scaligera 2010/2011. A pochi giorni dalla prima del 6 maggio, incontriamo il protagonista Thomas Hampson, artista di fama internazionale, che a coronamento di una lunga e duratura carriera, è al suo debutto operistico alla Scala. Il baritono statunitense ci parla del suo Don Giovanni, di come si diventa un cantante d’opera cosmopolita e del ruolo della musica e dell’arte in questo momento così difficile della storia contemporanea.

“Gegen Jetlag hilft viel Wasser trinken”


RNZ.de

Heidelberg. In der Ausgabe vom 27. März forderten wir die Leser auf, auch Fragen an den Bariton und Künstlerischen Leiter der Lied Akademie, Thomas Hampson, zu richten. Aufgrund der vielen Verpflichtungen des Sängers, kam er erst jetzt dazu, sie zu beantworten. Weitergereicht hat sie unser Redakteur Matthias Roth, der auch die Auswahl der Fragen vornahm.

“Thomas Hampson dominates La Scala’s stage with his supreme artistry” (Gramilano)


Thomas Hampson returned last night to La Scala, where he has been a regular presence in recital for almost three decades. Extraordinarily, he has never sung an opera in Milan, but next month he will finally make his operatic debut as Don Giovanni. Last night, however, a full theatre was eager to hear him once again in a repertoire that he owns: German song.

Heidelberger Frühling mit Thomas Hampson


Sarah Willis begegnet dem amerikanischen Opernsänger Thomas Hampson in Heidelberg. Der Bariton ist künstlerische Leiter der Lied Akademie und tritt mit seinen Stipendiaten beim Festival Heidelberger Frühling auf: Sarah’s Music

“Wir müssen uns austauschen”


Thomas Hampson hatte nur vier Stunden Schlaf. Aber er will nicht klagen, würde es wahrscheinlich sogar vermissen, wäre sein Terminkalender nicht mehr derart prall gefüllt. In Heidelberg leitet der Bariton die Liedakademie des “Frühlings”. Aber zwischendurch musste er kurz nach Wien und mit dem Sänger Luca Pisaroni (der sein Schwiegersohn ist) ein Konzert geben. Tenöre waren auf der Bühne nicht erlaubt – das ist schon mal ein Unterschied zur Heidelberger Liedakademie.

Spring appearances at Milan’s Teatro alla Scala – Recital & Don Giovanni


This season, audiences in Milan have the opportunity to see Thomas Hampson in performance several times on stage at the historic Teatro alla Scala. On April 13 he and pianist Wolfram Rieger present Schumann’s 20 Lieder und Gesänge op. 29 and songs by Mahler for an extraordinary programme at La Scala. To purchase tickets & read additional information about this event, visit the following link.

“No Tenors Allowed” at the Wiener Konzerthaus


On April 3, Thomas Hampson and bass-baritone Luca Pisaroni bring their famed “No Tenors Allowed” concert to the Wiener Konzerthaus. The event is featured as part of the “Great Voices” series, hosted in the Great Hall. Mr. Hampson and Mr. Pisaroni are joined by conductor Pavel Baleff and the Max Steiner Orchestra for the programme, which includes selections by Mozart, Verdi, and more. Please note an extremely limited number of tickets remain; visit Konzerthaus.at for current availability.

Heidelberg Festival Akademie Events


This spring, Thomas Hampson returns to Heidelberg for a series of master classes, in addition to a concert, all part of the Heidelberger Frühling International Music Festival. The series is presented in partnership with the Ruprecht-Karls-Universität Heidelberg. Mr. Hampson leads master classes on the following dates, hosted at the Kongresshaus Stadthalle Heidelberg: March 30 & 31 and April 1, 4 & 5. Tickets to the individual classes are available, in addition to a Festival Pass which covers all dates – the Pass can be purchased here.

La Traviata: Verdi’s Timeless Fallen Woman (He Sang/She Sang podcast)


WQXR

On this week’s episode of He Sang/She Sang, hosts Merrin Lazyan and Julian Fleisher are joined by dramaturg Cori Ellison to discuss Verdi’s mythical and timeless masterpiece, La Traviata. We also speak with baritone Thomas Hampson, who has been singing the role of Germont for 25 years. Hampson tells us how the complex and beautiful dilemmas that we find in this opera help us to better understand who we really are.

‘Opera is about dilemma, not about plot’ – Thomas Hampson


BBC

Picks from across the week on In Tune with Sean Rafferty: opera singers Thomas Hampson, Michael Fabiano and Tara Erraught …

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