This spring, Thomas Hampson returns to Heidelberg for a series of master classes, in addition to a concert, all part of the Heidelberger Frühling International Music Festival. The series is presented in partnership with the Ruprecht-Karls-Universität Heidelberg. Mr. Hampson leads master classes on the following dates, hosted at the Kongresshaus Stadthalle Heidelberg: March 30 & 31 and April 1, 4 & 5. Tickets to the individual classes are available, in addition to a Festival Pass which covers all dates – the Pass can be purchased here.
A final concert featuring participating students will take place on April 7 at the Kongresshaus Stadthalle Heidelberg. The students will perform their selected repertoire for the public as a finale to the Heidelberger Frühling week of events.
Thomas Hampson is a featured contributor to the newly launched platform MUSAIC, from the New World Symphony and Music Director Michael Tilson Thomas. Mr. Hampson and other acclaimed artists, including cellist Yo-Yo Ma and conductor Pablo Heras-Casado, are featured in various site content including master classes, interviews, and more. Watch and learn today at musaic.nws.edu!
On July 8, Thomas Hampson is a featured artist in an Opera Gala concert, hosted at the Opernhaus Düsseldorf. This special annual event, presented by the Friends of the Deutsche Oper am Rhein, includes the talents of the Duisburger Philharmoniker and Deutsche Oper am Rhein chorus, led by Axel Kober. Other soloists for the evening are Lavinia Dames, Luiza Fatyol, and Maria Kataeva, on a programme that includes operatic highlights by Rossini, Mozart, Verdi, and more. A limited number of seats remain for this extraordinary summer concert – purchase your tickets at the following link!
Mr. Hampson sings a recital as part of the Munich Festspiel on June 28. Accompanied by pianist Wolfram Rieger, the Mahler cycle Des Knaben Wunderhorn will be performed in its entirety. Composed at the turn of the century, Mahler set this collection of anonymous German folk poems to music, originally written for either soprano or baritone. Mr. Hampson and Mr. Rieger are well-known for their interpretation of this cycle, and have performed it numerous times together in premiere international venues. For example, the pair interpreted the cycle in 2002 in Paris at the Théâtre du Châtelet, which can be viewed via YouTube. A few years later, Mr. Hampson discussed the importance of the cycle as an Artist-in-Residence with the New York Philharmonic in this discussion.
Hampson and Rieger’s upcoming performance will be held at the Nationaltheater, in the heart of Munich.
On June 16, 17 & 18, Thomas Hampson is the featured soloist with the Orquesta Nacional de España, under the direction of David Afkham. The concert programme is titled “The Origin of the Future” and highlights selections from Mahler’s Des Knaben Wunderhorn as well as Schoenberg’s Pelleas et Melisande, Op. 5. Tickets: ocne.mcu.es/programacion/el-origen-del-futuro
This summer, Thomas Hampson and bass-baritone Luca Pisaroni reunite for their acclaimed “No Tenors Allowed” programme. They perform with the Gewandhausorchester at the Open Air-Bühne im Rosental on June 23 & 24 under the baton of Alexander Shelley. The programme includes selections by Rossini, Mozart, Massenet, Gounod, and more.
Sony Classical will release a DVD/blu-ray recording of Offenbach’s Les Contes d’Hoffmann, starring Thomas Hampson as the Four Villains. Recorded last autumn at London’s Royal Opera House, Mr. Hampson is joined by Vittorio Grigòlo in the title role, Sonya Yoncheva is Antonia, Kate Lindsey sings Nicklausse, Christine Rice is Giulietta, and Sofia Fomina is Olympia, with Maestro Evelino Pidò leading from the pit. The production by John Schlesinger premiered to enthusiastic reviews in 1980, and is revered for its rich and enduring portrayal of Offenbach’s opera.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.