Feb 22, 2013
Following performances of songs from Mahler’s Des Knaben Wunderhorn with the Indianapolis Symphony February 22 and 23, Thomas Hampson heads to San Francisco for a recital with pianist Wolfram Rieger. Their program at Herbst Theatre on Tuesday, February 26 features music by Schumann and Barber, as well as the world premiere of a new song cycle by Michael Hersch. Hampson discusses the new work in the commentary that follows:
I’m thrilled to be going back to San Francisco for this recital, which will feature an important world premiere. Composer Michael Hersch has written a beautiful cycle for me, Domicilium, based on poetry by Thomas Hardy. I’ve known Michael for several years – in fact, one of the first conversations that he had about writing vocal music was with me and the Pittsburgh Symphony about 15 years ago, when he wrote that orchestral piece for them [Ashes of Memory], a powerful work that Mariss Jansons felt very strongly about. Michael and I have regular contact since then, and this new cycle is the first project we’ve done together.
I think it’s wonderful that this young American composer has focused on the poetry of such an important and influential English author as Thomas Hardy, whose poems are known to music lovers through well-known settings by Finzi. The cycle is comprised of five songs and the first one is only for the piano. In typical Hersch fashion, he’s gone to using “extracts” – almost Haiku-esque poems of Hardy that are extremely abstractionist. The story in these poems is in the bits that aren’t actually said! It’s hard to describe the effect in words, but Hersch has created a soundscape of supposed memory and implied emotions. It’s very powerful stuff.
I’m so pleased that this important new work is on a great program that starts with a quintessential song cycle by Schumann, his Liederkreis Op. 39. This cycle, which features poems by Eichendorff, is, in its own way, abstract. We’re also doing a number of songs by Samuel Barber. I find Barber and Schumann very close compatriots in the landscape of the soul in song. Together with the Hersch work this will be a challenging but I think very engaging recital.
For ticket and additional information visit: http://sfperformances.org/performances/1213/ThomasHampson.html
Richard Danielpour composed Songs of Solitude (2002), on poems by Yeats, in the weeks following the September 11 attacks; War Songs (2008), on poems by Whitman, was inspired by photographs published in the New York Times of soldiers killed in the Iraq War … Both of these cycles were written for Thomas Hampson, who sings them magnificently. At 60, his voice sounds as fresh as ever, and the baritone’s musical intelligence and literary sensitivity make even the less successful of these songs worthy of study. Hampson’s achievement is even more impressive given that the recordings were made in concert.
Andrew Farach-Colton, Gramophone Magazine
On January 18, 21 & 23, Thomas Hampson reprises the role of Roald Amundsen in Srnka’s South Pole at Munich’s Bayerische Staatsoper. Mr. Hampson won tremendous international acclaim for his creation of the role in the world premiere:
“The star is Thomas Hampson, the veteran baritone is vocally and theatrically convincing in the role of Amundsen.” (TZ.de)
Top 10 Performances of 2016 Addition / Mahler of the Year: If the above list were expanded, it would be filled out with all of the excellent orchestral performances of Mahler during the year … the Philharmonic’s magnificent Mahler Ninth under Bernard Haitink and a glowing Das Lied von der Erde, under Alan Gilbert—sung by tenor Stefan Vinke and baritone Thomas Hampson … (New York Classical Review)
Maria Mazzaro, Opera News: Thomas Hampson has a busy Jan. On the fifth, he is in Turkey performing with Luca Pisaroni and the Borusan Istanbul Philharmonic Orchestra. Hampson then travels to Germany—first to Munich for Bayerische Staatsoper performances of Srnka’s South Pole, then to Hamburg’s Elbphilharmonic for a concert with The Philharmonics. At the end of the month, he sings Scarpia in Wiener Staatsoper performances of Tosca, conducted by Plácido Domingo.
Normalerweise werden die Lieder von Schubert, Brahms und Wolf am Klavier begleitet. Der Bariton Thomas Hampson hat einige davon nun in einer neuen Fassung mit Kammerorchester aufgenommen – gemeinsam mit den jungen Musikern der Amsterdam Sinfonietta.
Thomas Hampson reunites with his son-in-law, bass-baritone Luca Pisaroni, for two performances of their acclaimed “No Tenors Allowed” programme in concert. The duo performs with pianist Christian Koch on December 21 at Lisbon’s Gulbenkian Música/Grande Auditório, and then travels to Istanbul for a New Year’s concert with the Borusan Istanbul Philharmonic Orchestra, hosted at the İstanbul Lütfi Kırdar on January 5.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.