Feb 22, 2013
Following performances of songs from Mahler’s Des Knaben Wunderhorn with the Indianapolis Symphony February 22 and 23, Thomas Hampson heads to San Francisco for a recital with pianist Wolfram Rieger. Their program at Herbst Theatre on Tuesday, February 26 features music by Schumann and Barber, as well as the world premiere of a new song cycle by Michael Hersch. Hampson discusses the new work in the commentary that follows:
I’m thrilled to be going back to San Francisco for this recital, which will feature an important world premiere. Composer Michael Hersch has written a beautiful cycle for me, Domicilium, based on poetry by Thomas Hardy. I’ve known Michael for several years – in fact, one of the first conversations that he had about writing vocal music was with me and the Pittsburgh Symphony about 15 years ago, when he wrote that orchestral piece for them [Ashes of Memory], a powerful work that Mariss Jansons felt very strongly about. Michael and I have regular contact since then, and this new cycle is the first project we’ve done together.
I think it’s wonderful that this young American composer has focused on the poetry of such an important and influential English author as Thomas Hardy, whose poems are known to music lovers through well-known settings by Finzi. The cycle is comprised of five songs and the first one is only for the piano. In typical Hersch fashion, he’s gone to using “extracts” – almost Haiku-esque poems of Hardy that are extremely abstractionist. The story in these poems is in the bits that aren’t actually said! It’s hard to describe the effect in words, but Hersch has created a soundscape of supposed memory and implied emotions. It’s very powerful stuff.
I’m so pleased that this important new work is on a great program that starts with a quintessential song cycle by Schumann, his Liederkreis Op. 39. This cycle, which features poems by Eichendorff, is, in its own way, abstract. We’re also doing a number of songs by Samuel Barber. I find Barber and Schumann very close compatriots in the landscape of the soul in song. Together with the Hersch work this will be a challenging but I think very engaging recital.
For ticket and additional information visit: http://sfperformances.org/performances/1213/ThomasHampson.html
„Gentleman”, diese Bezeichnung trifft es auch wieder nicht ganz. Zwar ist Thomas Hampson der wichtigste amerikanische Lied-Bariton bislang aller Zeiten. Sein nobles Timbre, ein leichter Womanizer-Touch, dazu die Super-Seriösität seines Auftretens, all das qualifiziert ihn zu einem Sänger von allergrößter Besonderheit. Und zu einer chevaleresken Alternative innerhalb des Liedgesangs. Und doch ist da noch mehr. Da gibt es offenbar ein Paar kleine Falltüren hinter der vertrauenerweckenden, geputzten Fassade. Ein Quäntchen Rabiatheit? Auf jeden Fall Unberechenbarkeit.
“400 years ago, William Shakespeare died: A good reason for Thomas Hampson and Wolfram Rieger to devote half of their Lieder recital to rare Shakespeare settings of the 20th century … Already composed in 1905, Quilter’s “Three Shakespeare Songs” sounded amazing … Overall, the Finzi cycle with its pliant-original style and highly varied songs and moods was perhaps summed up by at most one, not at all the least by the resilient syncopal of “Who Is Sylvia?”: A solid festival worthy gift.”
In our second annual Classical Classroom Summer Music Festival Series, we hit the (sound)waves at the Music Academy of the West in sunny Santa Barbara, California! Library of Congress “Living Legend” and Grammy Award-winning baritone Thomas Hampson has reached a point in his life and career at which one might use the term “venerable” to describe him.
Thomas Hampson, along with soprano Diana Damrau and tenor Vittorio Grigolo, are the featured soloists in an Open-Air Gala Concert on August 20, held at the Burgkirche Ingelheim. Francesco Ciampa leads the Nordwestdeutschen Philharmonie for this performance, which features arias, duets, and trios from operas by Bellini, Mozart, Puccini, Verdi, and more. On August 31 Mr. Hampson sings works by Barber, Copland, Daugherty, and Bernstein in concert with the Deutsche Kammerphilharmonie Bremen. Kristjan Järvi leads from the podium for this performance, part of the Musikfest Bremen at Die Glocke.
FALSTAFF: Herr Hampson, Sie sind einer der gefragtesten Baritone unserer Zeit, reisen viel und singen über hundert Vorstellungen im Jahr. Dennoch wirken Sie verblüffend relaxed. Wie finden Sie Ihre innere Mitte?
Thomas Hampson: Ich habe das Privileg, meinen Beruf zu lieben und damit genau das machen zu können, was mir Spaß macht. Da muss man die innere Mitte nicht finden, man hat sie nie verloren. Und privat ist eine wunderbare Familie mein Fundament.
Thomas Hampson presents a master class for the Salzburg Festival Young Singers Project on August 11 at 3pm. The class is free and open to the public (tickets are available at the Salzburg Festival shop) and features several artists from the Young Singers Project. Mr. Hampson can also be seen in a lied recital at the Salzburg Festival on August 15, with pianist Wolfram Rieger. The duo presents a programme commemorating the 400th anniversary of the death of William Shakespeare, which includes Shakespeare settings by Quilter, Finzi, Korngold, and Mahler. Please note seating availability is limited for this event.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.