Feb 22, 2013
Following performances of songs from Mahler’s Des Knaben Wunderhorn with the Indianapolis Symphony February 22 and 23, Thomas Hampson heads to San Francisco for a recital with pianist Wolfram Rieger. Their program at Herbst Theatre on Tuesday, February 26 features music by Schumann and Barber, as well as the world premiere of a new song cycle by Michael Hersch. Hampson discusses the new work in the commentary that follows:
I’m thrilled to be going back to San Francisco for this recital, which will feature an important world premiere. Composer Michael Hersch has written a beautiful cycle for me, Domicilium, based on poetry by Thomas Hardy. I’ve known Michael for several years – in fact, one of the first conversations that he had about writing vocal music was with me and the Pittsburgh Symphony about 15 years ago, when he wrote that orchestral piece for them [Ashes of Memory], a powerful work that Mariss Jansons felt very strongly about. Michael and I have regular contact since then, and this new cycle is the first project we’ve done together.
I think it’s wonderful that this young American composer has focused on the poetry of such an important and influential English author as Thomas Hardy, whose poems are known to music lovers through well-known settings by Finzi. The cycle is comprised of five songs and the first one is only for the piano. In typical Hersch fashion, he’s gone to using “extracts” – almost Haiku-esque poems of Hardy that are extremely abstractionist. The story in these poems is in the bits that aren’t actually said! It’s hard to describe the effect in words, but Hersch has created a soundscape of supposed memory and implied emotions. It’s very powerful stuff.
I’m so pleased that this important new work is on a great program that starts with a quintessential song cycle by Schumann, his Liederkreis Op. 39. This cycle, which features poems by Eichendorff, is, in its own way, abstract. We’re also doing a number of songs by Samuel Barber. I find Barber and Schumann very close compatriots in the landscape of the soul in song. Together with the Hersch work this will be a challenging but I think very engaging recital.
For ticket and additional information visit: http://sfperformances.org/performances/1213/ThomasHampson.html
Thomas Hampson returned last night to La Scala, where he has been a regular presence in recital for almost three decades. Extraordinarily, he has never sung an opera in Milan, but next month he will finally make his operatic debut as Don Giovanni. Last night, however, a full theatre was eager to hear him once again in a repertoire that he owns: German song.
Sarah Willis begegnet dem amerikanischen Opernsänger Thomas Hampson in Heidelberg. Der Bariton ist künstlerische Leiter der Lied Akademie und tritt mit seinen Stipendiaten beim Festival Heidelberger Frühling auf: Sarah’s Music
Thomas Hampson hatte nur vier Stunden Schlaf. Aber er will nicht klagen, würde es wahrscheinlich sogar vermissen, wäre sein Terminkalender nicht mehr derart prall gefüllt. In Heidelberg leitet der Bariton die Liedakademie des “Frühlings”. Aber zwischendurch musste er kurz nach Wien und mit dem Sänger Luca Pisaroni (der sein Schwiegersohn ist) ein Konzert geben. Tenöre waren auf der Bühne nicht erlaubt – das ist schon mal ein Unterschied zur Heidelberger Liedakademie.
This season, audiences in Milan have the opportunity to see Thomas Hampson in performance several times on stage at the historic Teatro alla Scala. On April 13 he and pianist Wolfram Rieger present Schumann’s 20 Lieder und Gesänge op. 29 and songs by Mahler for an extraordinary programme at La Scala. To purchase tickets & read additional information about this event, visit the following link.
On April 3, Thomas Hampson and bass-baritone Luca Pisaroni bring their famed “No Tenors Allowed” concert to the Wiener Konzerthaus. The event is featured as part of the “Great Voices” series, hosted in the Great Hall. Mr. Hampson and Mr. Pisaroni are joined by conductor Pavel Baleff and the Max Steiner Orchestra for the programme, which includes selections by Mozart, Verdi, and more. Please note an extremely limited number of tickets remain; visit Konzerthaus.at for current availability.
This spring, Thomas Hampson returns to Heidelberg for a series of master classes, in addition to a concert, all part of the Heidelberger Frühling International Music Festival. The series is presented in partnership with the Ruprecht-Karls-Universität Heidelberg. Mr. Hampson leads master classes on the following dates, hosted at the Kongresshaus Stadthalle Heidelberg: March 30 & 31 and April 1, 4 & 5. Tickets to the individual classes are available, in addition to a Festival Pass which covers all dates – the Pass can be purchased here.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.