The Metropolitan Opera Guild honors Thomas Hampson, one of today’s foremost singers, with a new installment in its “Mastersingers” series. “Met Mastersingers: Thomas Hampson” takes place on March 22, 2012 at New York City’s Kaye Playhouse at Hunter College, and it presents the great American baritone – who makes his company role debut as Verdi’s Macbeth at the Met on March 15 – in an informal conversation with Paul Gruber, the Guild’s Executive Director of Program Development. The evening program will include video excerpts of Hampson’s most celebrated performances, a new video biography created for the occasion, and the honoree performing some of his favorite songs. Details follow below.
Hampson comments: “Having had the greatest privilege co-hosting the Opera News Awards, and the pride of winning an Opera News Award myself, I know firsthand the wonderful events the Metropolitan Opera Guild presents to celebrate our art-form and sustain its celebrated education programs. I am deeply honored to join the company of the previous honorees given the distinction of Met Mastersinger.”
“Met Mastersingers: Thomas Hampson” is the third installment in a series that began in February 2010 with an event honoring soprano Renée Fleming. Last fall, the German bass René Pape was celebrated. Gruber has had conversations with a “who’s who” of great artists at many Guild events over the years, including such luminaries as Teresa Stratas, Renata Scotto, Roberta Peters and James Levine, and he looks forward to speaking next with a singer who is as renowned for his work as a concert artist and song recitalist as he is for his operatic mastery. Gruber observes:
“I have enormous admiration and respect for Thomas Hampson, and am delighted that the Guild will celebrate him as this year’s ‘Met Mastersinger.’ In addition to having perhaps the most beautiful baritone voice of his generation, he has never rested in his quest to expand his musical horizons, as well as those of his audience. Thomas Hampson is the very definition of a mastersinger.”
About Thomas Hampson
The American baritone Thomas Hampson enjoys a singular international career as a recitalist, opera singer, and recording artist, and maintains an active interest in teaching, research, and technology. He has performed in the world’s most important concert halls and opera houses with many of today’s most renowned singers, pianists, conductors, and orchestras. He is one of the most important interpreters of German romantic song and with his celebrated “Song of America” project has become the “ambassador” of American song. Hampson began his 2011-12 season at the San Francisco Opera, where he created the central role in the world-premiere production of Christopher Theofanidis’s Heart of a Soldier, commemorating the tenth anniversary of the 9/11 attacks. Other operatic engagements this season include role debuts as Iago in Verdi’s Otello and the title role in Hindemith’s Mathis der Maler, both at the Zurich Opera, and his house debut as Verdi’s Macbeth at New York’s Metropolitan Opera.
Among other season highlights for Hampson are the opening-night gala concert of the National Symphony Orchestra with Christoph Eschenbach, Mahler’s Das Lied von der Erde with the Munich Philharmonic and Zubin Mehta, Lieder eines fahrenden Gesellen with the Los Angeles Philharmonic and Gustavo Dudamel, Brahms’s Requiem and Dvorák’s Biblical Songs with the Pittsburgh Symphony and Manfred Honeck, and “Song of America” recitals in New York and Cologne. Last month marked the first airing of the “Song of America” radio series, co-produced by the Hampsong Foundation and the WFMT Radio Network of Chicago. Hosted by Hampson, the series consists of 13 one-hour programs exploring the history of American culture through song, bringing the “Song of America” project to a national audience of radio listeners.
The Metropolitan Opera Guild at a glance
For more than 75 years, the Metropolitan Opera Guild has provided substantial support to the Met, and has greatly enhanced the public’s appreciation of opera in general. Since its founding by the pioneering philanthropist Eleanor Robson Belmont in 1935, the Guild has contributed more than $245 million to the Met. The organization has one of the country’s most innovative and far-reaching music education programs, which impacts more than 1,800 schools and communities. In August 2010, the Guild received a $1 million grant from the U.S. Department of Education’s “Arts-in-Education” Model Development and Dissemination Program for its Comprehensive Opera-Based Arts Learning and Teaching (COBALT) project.
he Guild also publishes Opera News, the world’s largest-circulation magazine devoted to opera, and produces an annual series of major public programs, including the Opera News Awards, and the Met Legends and Met Mastersingers series. The seventh annual Opera News Awards will take place in New York City on April 29, 2012 at The Plaza, celebrating the achievements of five extraordinary artists who have each made an invaluable contribution to the art form: sopranos Karita Mattila and Anja Silja, baritones Dmitri Hvorostovsky and Peter Mattei, and director Peter Sellars.
Thursday, March 22, 2012, at 7:30pm
MET MASTERSINGERS: Thomas Hampson
The Kaye Playhouse at Hunter College
68th Street (between Park and Lexington Avenues)
New York City
The star of the Met’s Macbeth will be on stage with Paul Gruber to discuss his work, watch video excerpts of his performances, and sing some favorite songs.
Tickets are $40 for Guild members and Met patrons, and $50 for all others. Following the program, join the Guild for a champagne-and-dessert reception with the artists: $150 for premium seating and reception. For tickets, call (212) 769-7009, or order online at www.metguild.org.
Thomas Hampson is featured as the narrator on a new Atlantic Crossing Records release titled “The Cellist of Venice.” The album, which also highlights the talents of cellist Daniel Müller-Schott and writer Kim Maerkl, combines a story about a young musician growing up in Italy with selections from J. S. Bach’s Cello Suites. It is featured as part of Atlantic Crossing’s ‘The Art of Stories and Music’ series.
Das Kulturmagazin mit den Moderatoren und Sendungsmachern Erna Cuesta und Franz Zoglauer setzt ein klares Signal für Kulturberichterstattung in Österreich. „Highlights“ zeigt, dass Kultur unterhaltend, bewegend und spannend ist. „Highlights“ ist das Magazin für die großen Themen der Kulturszene, ihrer Trends und frischen Strömungen. Berichte aus dem Theater- und Musikbereich prägen das Format ebenso, wie brisante Hintergrundgeschichten über die „Aufreger“ der Branche. In „Highlights – Das Kulturmagazin“ wird aktuell über Premieren und Festspiele berichtet.
Thomas Hampson and pianist Wolfram Rieger present two recitals in September, at two of the European continent’s most renowned venues. The duo performs works by Loewe, Schubert, and Schumann on September 9 at the Gewandhaus zu Leipzig – please note a limited number of tickets remain for this performance. Check availability at the following link. Hampson and Rieger perform works by Schumann and Mahler on September 13 at the Grand Théâtre de Genève. Seating availability for this event is also extremely limited.
„Gentleman”, diese Bezeichnung trifft es auch wieder nicht ganz. Zwar ist Thomas Hampson der wichtigste amerikanische Lied-Bariton bislang aller Zeiten. Sein nobles Timbre, ein leichter Womanizer-Touch, dazu die Super-Seriösität seines Auftretens, all das qualifiziert ihn zu einem Sänger von allergrößter Besonderheit. Und zu einer chevaleresken Alternative innerhalb des Liedgesangs. Und doch ist da noch mehr. Da gibt es offenbar ein Paar kleine Falltüren hinter der vertrauenerweckenden, geputzten Fassade. Ein Quäntchen Rabiatheit? Auf jeden Fall Unberechenbarkeit.
“400 years ago, William Shakespeare died: A good reason for Thomas Hampson and Wolfram Rieger to devote half of their Lieder recital to rare Shakespeare settings of the 20th century … Already composed in 1905, Quilter’s “Three Shakespeare Songs” sounded amazing … Overall, the Finzi cycle with its pliant-original style and highly varied songs and moods was perhaps summed up by at most one, not at all the least by the resilient syncopal of “Who Is Sylvia?”: A solid festival worthy gift.”
In our second annual Classical Classroom Summer Music Festival Series, we hit the (sound)waves at the Music Academy of the West in sunny Santa Barbara, California! Library of Congress “Living Legend” and Grammy Award-winning baritone Thomas Hampson has reached a point in his life and career at which one might use the term “venerable” to describe him.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.