The American baritone continues to successfully promote his country’s classical heritage, as he opens in a star-studded Royal Opera production tonight.
American baritone Thomas Hampson opens in the Royal Opera‘s classic Verdi’s La Traviata tonight. Read it and weep, La Scala and the Met: Calleja – Fleming – Hampson. Not bad for a lineup for Alfredo, Violetta, (everyone’s favourite “doomed courtesan”, as the Royal Opera House’s website has it, with the sort of euphemistic literary flourish you only find in opera synopses – she’s a prostitute), and Germont.
It’s easy to think of opera stars like Joseph Calleja, Renée Fleming, and Hampson as globe-trotting megastars, more interested in which brand of hotel-lobby luxury jewellery or watch they’re going to sponsor, than delving into the psychological depths of operatic characterisation.
But that’s unfair. I met Hampson for this week’s Music Matters, and discovered that he’s one of music’s genuine enthusiasts, and a cyber-philanthropist to boot. Have a look at hampsong.com (clever!), maybe the single most impressive classical singer’s site out there, a bespoke production that gives you access to some of his recordings to stream, links to his appearances on YouTube, photos of Thomas with Alec Baldwin and musical slebs, and the promise of his personal iPhone photos coming soon.
More impressive than all that, though, is Hampson’s Song of America project. He’ll shortly be touring the States with a programme celebrating 250 years of art-song in America (the first was composed in 1759 by Francis Hopkinson, one of the undersigned of the Declaration of Independence), and he told me he plans a free online archive, in association with the Library of Congress, of scores, performances, and scholarly material. When he gets it finished, this could be one of the internet’s great musical resources.
No one has done more to promote American song, from Foster to Barber, from Burleigh to Rorem, than Hampson. They’re lucky to have him as an advocate. Have a listen to this, and see what I mean.
Thomas Hampson returned last night to La Scala, where he has been a regular presence in recital for almost three decades. Extraordinarily, he has never sung an opera in Milan, but next month he will finally make his operatic debut as Don Giovanni. Last night, however, a full theatre was eager to hear him once again in a repertoire that he owns: German song.
Sarah Willis begegnet dem amerikanischen Opernsänger Thomas Hampson in Heidelberg. Der Bariton ist künstlerische Leiter der Lied Akademie und tritt mit seinen Stipendiaten beim Festival Heidelberger Frühling auf: Sarah’s Music
Thomas Hampson hatte nur vier Stunden Schlaf. Aber er will nicht klagen, würde es wahrscheinlich sogar vermissen, wäre sein Terminkalender nicht mehr derart prall gefüllt. In Heidelberg leitet der Bariton die Liedakademie des “Frühlings”. Aber zwischendurch musste er kurz nach Wien und mit dem Sänger Luca Pisaroni (der sein Schwiegersohn ist) ein Konzert geben. Tenöre waren auf der Bühne nicht erlaubt – das ist schon mal ein Unterschied zur Heidelberger Liedakademie.
This season, audiences in Milan have the opportunity to see Thomas Hampson in performance several times on stage at the historic Teatro alla Scala. On April 13 he and pianist Wolfram Rieger present Schumann’s 20 Lieder und Gesänge op. 29 and songs by Mahler for an extraordinary programme at La Scala. To purchase tickets & read additional information about this event, visit the following link.
On April 3, Thomas Hampson and bass-baritone Luca Pisaroni bring their famed “No Tenors Allowed” concert to the Wiener Konzerthaus. The event is featured as part of the “Great Voices” series, hosted in the Great Hall. Mr. Hampson and Mr. Pisaroni are joined by conductor Pavel Baleff and the Max Steiner Orchestra for the programme, which includes selections by Mozart, Verdi, and more. Please note an extremely limited number of tickets remain; visit Konzerthaus.at for current availability.
This spring, Thomas Hampson returns to Heidelberg for a series of master classes, in addition to a concert, all part of the Heidelberger Frühling International Music Festival. The series is presented in partnership with the Ruprecht-Karls-Universität Heidelberg. Mr. Hampson leads master classes on the following dates, hosted at the Kongresshaus Stadthalle Heidelberg: March 30 & 31 and April 1, 4 & 5. Tickets to the individual classes are available, in addition to a Festival Pass which covers all dates – the Pass can be purchased here.
In song, you have one of the most amazing diaries of any generation’s culture at a given time.