“It’s not only the singing of baritone Thomas Hampson, on top form, that makes this recital so enjoyable; it’s the affectionate new string arrangements, joyously played by the Amsterdam Sinfonietta – as leader Candida Thompson describes it, “a big string quartet” of two dozen players. All but one of the arrangements are by David Matthews, who adds texture and illumination to already radiant songs, refreshing these lilies without gilding them. Intertwining solo violins make the opening of Wolf’s song Anakreons Grab magical; squeaking strings conjure up the rodents in his Der Rattenfänger. Another highlight is Bob Zimmerman’s gossamer version of Schubert’s Ständchen (“Zögernd leise”), the echoes sung by a girls’ choir. Brahms’s Four Serious Songs find Matthews drawing on darker sonorities. Hampson, full of authority, ends on Barber’s masterly Dover Beach, which seems only to benefit from its quartet parts being lent the weight and security of a full string orchestra.”
Erica Jeal – The Guardian
On March 15 at 4pm ET, Thomas Hampson returns to the Manhattan School of Music to lead his 10th Annual Master Class and Live Webcast. The live stream will be available to watch via dl.msmnyc.edu/live, with an archived broadcast available online following the event (details TBA). The 2016 Master Class can now be enjoyed at the following link; complete program details from that Master Class are also listed online in PDF format.
This spring, Thomas Hampson revisits a signature role, Giorgio Germont, in his return to The Metropolitan Opera stage. Sonya Yoncheva and Carmen Giannatasio alternate as Violetta, and Michael Fabiano is Alfredo, in the Willy Decker production which Mr. Hampson originated in Salzburg (2005) to great acclaim:
“Thomas Hampson masterfully portrays the elder Germont as a man torn – moved by Violetta but determined that propriety prevails.” (The New York Times)
BERLIN, February 9, 2017: The award-winning American baritone Thomas Hampson announced today the release of unpublished and exclusive recordings on the classical music streaming service Idagio. The recordings, hidden gems from live archive performances, include: Schubert’s Winterreise, op. 89, D 911 (until today unpublished recording with Wolfram Rieger, piano); the never heard before live recording of Lingua Angelorum, which Hampson commissioned by contemporary composer Sylvie Bodorová; and selected songs by Hugo Wolf. Also released today on Idagio are songs based on Des Knaben Wunderhorn by Mahler, Brahms, Mendelssohn and Schönberg ; Schumann’s Kerner-Lieder; and the collection Wondrous Free – Song of America II. The release is accessible now on the Idagio iOS app and with lossless audio on the web app www.idagio.com – and immediately available in over 70 countries.
“Thomas Hampson’s long, thriving career on both sides of the Atlantic has established him as one of the most successful and versatile operatic baritones in the world. More than that, he is regarded as an emblematic figure in US opera – an articulate spokesman, championing its heritage, shaping its future and acting as an example to successive generations of young talent.” (Opera Now)
The complete feature, titled “An American Abroad,” can be viewed via the following formats:
Register here for the complete digital edition of the magazine: http://bit.ly/2kUIufr
The article is also available to enjoy via the following link.
Thomas Hampson und Luca Pisaroni sind nicht nur beide angesehene Opernsänger, sondern auch Schwiegervater und -sohn. Nun haben der Bariton (Hampson, 61) und der Bassbariton (Pisaroni, 41) das brandneue Programm “No Tenors Allowed” geschaffen. Die OÖNachrichten begleiteten das Duo zum “Testlauf” nach Istanbul.
Manhattan School of Music
Watch online via dl.msmnyc.edu/live
MAR 1, 4, 7, 11, 14, 18, 22, 25, 2017
The Metropolitan Opera
Nicola Luisotti, conductor
Thomas Hampson, Giorgio Germont
Sonya Yoncheva / Carmen Giannatasio, Violetta Valéry
Michael Fabiano, Alfredo Germont
*HD Broadcast – March 11
MAR 30, 31 APR 1
Kongresshaus Stadthalle Heidelberg
Kongresshaus Stadthalle Heidelberg